scholarly journals Heinrich Schenker, The Masterwork in Music, Volume I (1925). Edited by William Drabkin, translated by Ian Bent, William Drabkin, Richard Kramer, John Rothgeb, Hedi Siegel. Cambridge Studies in Music Theory and Analysis, vol. 5 (Ian Bent, General Editor). Cambridge: Cambridge University Press, 1994. xviii, 129 pp. ISBN 0-521-45541-3 (hardcover). Originally published in Munich, Vienna, and Berlin as Der Meisterwerk in der Musik by Drei Masken Verlag, 1925. Reprinted as three volumes in one by Hildesheim: Georg Olms Verlag, 1974

1996 ◽  
Vol 17 (1) ◽  
pp. 111
Author(s):  
William Renwick
Author(s):  
Alyssa Barna

The tools of music theory and analysis have appeared in articles published in popular press venues for the last decade. Many of these articles, however, are written by non-experts and often stir controversy among academic writers due to assumptions or inaccuracies. Instead of passively arguing about this form of public music theory, this chapter encourages academic theorists to write stories for digital journalism outlets by explaining the role and context of this type of journalism, then outlining the process of pitching, writing, and editing a story. This chapter closes with a discussion of the specific responsibilities of music theorists who write for these venues, and the role of the academic in digital journalism.


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