Cristle Collins Judd, Reading Renaissance Music Theory. Hearing with the Eyes (Cambridge Studies in Music Theory and Analysis, 14.) Cambridge: Cambridge University Press, 2000. 81 figs. + 22 musical examples + 23 tables + xxiii + 339 pp. $69.95. ISBN: 0- 521-77144-7. - Suzannah Clark and Alexander Rehding, eds. Music Theory and Natural Order from the Renaissance to the Early Twentieth Century Cambridge: Cambridge University Press, 2001. xi + 9 ill. + 243 pp. $64.95. ISBN 0-521- 77191-9.

2002 ◽  
Vol 55 (1) ◽  
pp. 325-327
Author(s):  
Blair Sullivan
Keyword(s):  
Twentieth Century ◽  
Music Theory ◽  
Natural Order ◽  
Cambridge University ◽  
Early Twentieth Century ◽  
Music Theory And Analysis ◽  
Renaissance Music

Scientific Management, Racist Science, and Race Management

2017 ◽  
Author(s):  
Elizabeth Esch ◽  
David Roediger
Keyword(s):  
Twentieth Century ◽  
Natural Order ◽  
Scientific Management ◽  
Working Classes ◽  
Early Twentieth Century ◽  
Late Nineteenth

Elizabeth Esch and David Roediger highlight the ways employers and their allies used racism to divide the working classes in the late nineteenth and early twentieth centuries. Such racist practices began under slavery, and continued well into the early twentieth century as they constructed hierarchical workplaces which they deemed as natural; unions and solidarity in their estimation subverted the natural order. They call this practice “race management.” Employers seeking control over the workforce benefited from racism.

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