scholarly journals When Things Fall Apart

2021 ◽  
pp. 57-70
Author(s):  
Rebecca Hallman Martini
Keyword(s):  
2000 ◽  
Vol 31 (1) ◽  
pp. 122-128
Author(s):  
Ousseina D. Alidou ◽  
Alamin M. Mazrui
Keyword(s):  

Author(s):  
Yves Doz ◽  
Keeley Wilson

In less than three decades, Nokia emerged from Finland to lead the mobile phone revolution. It grew to have one of the most recognizable and valuable brands in the world and then fell into decline, leading to the sale of its mobile phone business to Microsoft. This book explores and analyzes that journey and distills observations and lessons for anyone keen to understand what drove Nokia’s amazing success and sudden downfall. It is tempting to lay the blame for Nokia’s demise at the doors of Apple, Google, and Samsung, but this would be to ignore one very important fact: Nokia had begun to collapse from within well before any of these companies entered the mobile communications market, and this makes Nokia’s story all the more interesting. Observing from the position of privileged outsiders (with access to Nokia’s senior managers over the last twenty years and a more recent, concerted research agenda), this book describes and analyzes the various stages in Nokia’s journey. This is an inside story: one of leaders making strategic and organizational decisions, of their behavior and interactions, and of how they succeeded and failed to inspire and engage their employees. Perhaps most intriguingly, it is a story that opens the proverbial “black box” of why and how things actually happen at the top of organizations. Why did things fall apart? To what extent were avoidable mistakes made? Did the world around Nokia change too fast for it to adapt? Did Nokia’s success contain the seeds of its failure?


2021 ◽  
pp. 001458582110215
Author(s):  
Glenn A Steinberg

Much recent commentary on Dante’s Commedia focuses on Dante’s truth claims in the poem. Indeed, Teodolinda Barolini has proposed that “the fundamental question for all readers of Dante’s poem” is “How are we to respond to the poet’s insistence that he is telling us the truth?” I propose that the poem itself gives us guidance as to the seriousness of its claims to literal truth. It does so by actively deconstructing its own meaning at critical junctures. I look at several such moments of deconstruction, but I argue that the first few cantos of the Paradiso in particular provide a reflection on the difference between reality and fiction. Early in the Paradiso, Dante draws attention to the metaphoric nature of his poem and reminds his reader, through his character’s own actions, that metaphor is not reality. In this way, Dante implies that we should not take the narrative particulars of his poem too literally but should treat metaphor as metaphor rather than as mimesis.


PMLA ◽  
2016 ◽  
Vol 131 (1) ◽  
pp. 20-37 ◽  
Author(s):  
Emily Hyde

In the early 1960s two editions of Chinua Achebe's Things Fall Apart were published with competing sets of illustrations. The first, by Dennis Carabine, illustrates a realist novel, the second, by Uche Okeke, a modernist one. Reading Achebe's iconic novel through its early publication history and for its visual images shows how the famous ending of Things Fall Apart turns, stylistically, to the impenetrable flatness of the modernist surface. At mid-century, modernist style could be made to serve realist imperatives, and Achebe's flat style challenges colonial modes of literary representation and the myth of modernist primitivism in the visual arts. This essay stresses the importance of the visual image to mid-century anglophone literature and the importance of modernist style to the poetics of decolonization.


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