13. And They Said, Let Us Make Gods in Our Image: Gendered Ideologies in Ancient Mesopotamia

2000 ◽  
Author(s):  
Susan Pollock ◽  
Reinhard Bernbeck
2013 ◽  
Vol 42 (4) ◽  
pp. 22-29 ◽  
Author(s):  
Laura Feldt

This essay presents narratology as a strategy for analysis of written myths. It analyses the narrative form of a written religious narrative from ancient Mesopotamia known as The Epic of Anzû, suggesting that the narrative form of myths is a necessary object of inquiry for historians of religion; one that has consequences for our understanding of the meaning and functions of myths, of the religions that make use of them, as well as for broader discussions of religious narrative.


1984 ◽  
Vol 11 (1) ◽  
pp. 83-101 ◽  
Author(s):  
Douglas Garbutt

The article draws attention to the vast archive of accounting records from ancient Mesopotamia available to historians, and the advances in Assyriology which have taken place since the revival of interest in the origins of recorded history. Understanding of the materials has been advanced, in part, by specialists from other fields, such as mathematics and astronomy, yet accounting historians do not seem to have been attracted to the problems of interpreting the elegantly simple records and the societal context within which they were made and used. To exemplify the challenges facing the accounting historian, the author considers evidence on the Dreham archive, the temple as a financial institution, and the use of loans, interest and banking. Finally, the author suggests that the records of Ancient Mesopotamia offer a rich field of research in accounting history.


Author(s):  
Maxine Lewis

This chapter offers a new reading of Catullus’ Lesbia by examining the poet’s spatial poetics. These poetics play a crucial role in shaping the worlds created in the poems. Catullus’ collection features three distinct poetics of place: topical, neoteric, and abstracted, clustered in specific groups of poems: the polymetrics, the carmina maiora, and the elegiac epigrams, respectively. As Lesbia is the only character (apart from the ‘Catullus’ persona) who appears in each group, she presents the ideal subject for examining how Catullus’ distinct poetics of place shape characterization in different genres of poetry. Furthermore, as a woman whose gender is frequently thematized, Lesbia presents a fulcrum for investigating how gendered ideologies of certain spaces might have shaped Catullus’ spatial poetics. This chapter offers close readings of three ‘Lesbia’ poems: 37, 68b, and 70, to highlight the importance of place and space to Lesbia’s role in each poem.


Centaurus ◽  
1955 ◽  
Vol 4 (2) ◽  
pp. 126-131
Author(s):  
Martin Levey
Keyword(s):  

2002 ◽  
Vol 37 (0) ◽  
pp. 359-371
Author(s):  
Piotr STEINKELLER
Keyword(s):  

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