the battle of maldon
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Author(s):  
Jon Mentxakatorre Odriozola ◽  

This paper studies Tolkien’s interpretation of German heroism, taking as a starting point his essay-poem «The Homecoming of Beorhtnoth Beorhthelm’s Son» on The Battle of Maldon. Through academic texts on Beowulf and Sigurd, as well as his own legendarium, his reading and contribution are explored, placing the latter in dialogue with the latest research, and detailing the lines and scope of his ideas. After locating the inflection point that Tolkien marked around the word ofermod(e), the historical, literary and religious components that base Tolkien’s interpretation will be explained, in line with the Anglo-Saxon poetic and heroic tradition. Through this, it will become clear that the humble heroism of the subordinate who faces the fatal fate to which his master has led him is rooted in clear examples of Old English literature, and that the darkness brought by the terrible enemy has a mythical dimension, which refers to the shadow and to hell. Finally, in light of the latest contributions, Tolkien’s interpretation will be reaffirmed and enriched, opening new research perspectives on his work


2021 ◽  
Author(s):  
Mark Atherton
Keyword(s):  

Author(s):  
Richard North ◽  
Joe Allard ◽  
Patricia Gillies
Keyword(s):  

Author(s):  
Richard North ◽  
Joe Allard ◽  
Patricia Gillies
Keyword(s):  

2020 ◽  
pp. 24-57
Author(s):  
Kristen B. Neuschel

This chapter discusses the relationship between swords and oral culture in the early Middle Ages. It sketches the history of the manufacture of early medieval swords, then looks at evidence of those swords' symbolic lives revealed by archaeological finds, namely grave goods and the reconstruction of rituals that accompanied their deposit. The chapter then considers written evidence of swords, particularly in early wills that record both the bequeathing but also the prior circulation of a sword among allies and kin. Finally, it turns to literature, to Beowulf and its near-contemporary, The Battle of Maldon, to explore the roles those poems ascribe to warriors' (and monsters') swords. Early medieval literature is filled with references to the aesthetic qualities and the mysterious origin of swords and their constituent parts, as well as to their power to strike fear, to wound, and to kill.


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