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Científica ◽  
2021 ◽  
Vol 49 (3) ◽  
pp. 128
Author(s):  
Leandro Vidotti Vila Real ◽  
Nelson Jayme Neto ◽  
Cecilia Giolo Favaro ◽  
Pedro Luís da Costa Aguiar Alves

2021 ◽  
pp. 107140
Author(s):  
Iulia Martina Bulai ◽  
Ana Cristina Esteves ◽  
Fernanda Lima ◽  
Ezio Venturino

Author(s):  
Jane Manning

This chapter studies Jonathan Dove’s Cut My Shadow (2011). This set of three songs (‘Surprise’, ‘The Guitar, and ‘Song of the Dry Orange Tree’) amply demonstrates Dove’s musical acumen and special understanding of vocal writing. The musical style, with its frequent use of repetitive figures, could certainly be described as ‘minimalist’, especially with regard to the characterful piano writing. It goes without saying that Dove is also an excellent pianist. The music brims with rhythmic vitality, and an exotic, passionate ‘Spanishness’ is established from the outset, achieved by deceptively simple means. A light mezzo can even relish the deepest notes, which are set so well that they come off every time, as long as the singer does not push too hard. Significantly, there are no dynamics written over the vocal line, so it is up to the singer to develop a close awareness of balance with the piano, and to adjust the volume without feeling strained or overwhelmed.


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