“The Fruit of Many Years”: Bertrand Russell and Vera Brittain

In her dedicated promotion of feminism and pacifism, especially during the 1930s, Vera Brittain (1893–1970) was strongly influenced by Ber­trand Russell’s writings, especially Marriage and Morals (1929) and Which Way to Peace? (1936). Both were members of the Peace Pledge Union, and she continued as a sponsor after Russell abandoned his pac­ifism soon after the beginning of the Second World War. She admired his political and social activism in the aftermath of that war, endorsing it as much as her family situation allowed; and, as chairman of the Peace News board, Brittain intervened in Russell’s support when a dispute broke out between him and the editor. Although their rela­tionship was personally limited, Russell’s influence on her opinions and actions was profound.

Digging Out Characters: Elizabeth von Arnim in Virginia

During both world wars, Elizabeth von Arnim sought sanctuary in Albemarle County, Virginia. The country house, Clover Fields, left its mark on her war novel Christine. She struggled with her own grief as she wrote of Christine’s trials. The war experience underlying the novel comes into clearer focus when compared with the writing of two contemporaries who were equally affected by the First World War, Katherine Mansfield and Vera Brittain. On her second visit to Virginia at age 73, she was again an exile, this time from home in France. As in 1917, she was angry at the American reluctance to enter the war. Preoccupied with her dog Billy, she found a perfect landlady and developed a fascination with Virginia author Amélie Rives. The resemblance of a Charlottesville man to her long-dead husband Henning evoked nostalgia for her days in Prussia and allowed her to reconcile with Henning’s ghost in a way reminiscent of Fanny Skeffington’s late equanimity.

Introduction

The first half of this introduction provides some context for the variety of women’s responses to the Homeric epics discussed in the volume by tracing the origins of these responses back to earlier authors including Vera Brittain, Virginia Woolf, and Claude Cahun. It also discusses the paucity of critical attention paid to women’s receptions of Homer, and demonstrates how much is to be gained by rereading the Iliad and the Odyssey through the work of women writers since the early twentieth century. The second half offers an overview of the approaches and figures selected for discussion, women as diverse as Simone Weil and Kate Tempest, as Francisca Aguirre and Barbara Köhler, working in a variety of genres and radically altering the landscape of classical reception.