story segmentation
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Author(s):  
Pranabjyoti Haloi ◽  
M.K. Bhuyan ◽  
Dibyajyoti Chatterjee ◽  
Pooja Rani Borah


Author(s):  
Mingjie Zhou ◽  
Zhou Fan ◽  
Ruomei Wang ◽  
Fuwei Zhang ◽  
Guifeng Zheng


2019 ◽  
Vol 7 (2-3) ◽  
pp. 238-250
Author(s):  
Ian Verstegen ◽  
Tamara Prest ◽  
Laura Messina Argenton

This qualitative report concerns a larger study on pictorial continuous narrative devised by Alberto Argenton and developed by the authors in his memory, reporting only a synthesis of the main findings obtained through the study of a corpus of 100 artworks on the Genesis story of Adam and Eve. The study was aimed at identifying the perceptual–representational strategies used by artists to visually tell this story in the continuous narrative mode. The pilot study, accomplished by three independent judges (the authors) on the corpus of artworks, adopting phenomenological observation, highlights four strategies used by artists to distinguish and link the episodes or events constituting the story: segmentation of episodes or events, time/space separating cues, vectors of direction and repetition of principal figures. A description of the above categories accompanied by some illustrative examples is given.



2018 ◽  
Vol 318 ◽  
pp. 236-247 ◽  
Author(s):  
Wei Feng ◽  
Xuecheng Nie ◽  
Yujun Zhang ◽  
Lei Xie ◽  
Jianwu Dang


2018 ◽  
Vol 142 ◽  
pp. 403-411 ◽  
Author(s):  
Jia Yu ◽  
Lei Xie ◽  
Xiong Xiao ◽  
Eng Siong Chng
Keyword(s):  


Author(s):  
Wei Feng ◽  
Lei Xie ◽  
Jin Zhang ◽  
Yujun Zhang ◽  
Yanning Zhang


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