Eco-Socialism and Green City Making in Postwar Vietnam

This chapter examines shifts in the meaning and use of green space in socialist housing blocks in Vinh City, Vietnam, a ‘model’ socialist city rebuilt by East Germany (GDR) after its destruction by US aerial bombing. Unique to the eight-year project was the central role that ecological design played in urban reconstruction owing to financial and material constraints on the one hand, and ideological imperatives on the other. Green technology transfers served to radically transform the landscape with parks and cultivated green spaces that catered to the needs of workers and their families. These ‘eco-socialist’ practices, as I refer to them, constituted a fundamental effort on the part of GDR planners to rationally manage and order urban space that was deemed disorderly and too rural for the city. Yet utopian visions of urban modernity often came up short as they revealed more about East German lifestyles than about the pragmatic possibilities for recovery in postwar Vietnam. Ensuing struggles over the appropriate use of urban nature emerged at the center of the modernizing project and the creation of new socialist persons in Vietnam.

The Trịnh Công Sơn Phenomenon

This article attempts to explain the extraordinary popularity of Vietnamese composer and singer Trịnh Công Sơn. Although he attracted attention with love songs composed in the late 1950s, it was his antiwar songs, particularly those collected in Songs of Golden Skin (1966), that created the “Trịnh Công Sơn phenomenon.” Though these songs were banned by the Saigon government, they circulated widely in the South during the war. Though he was distrusted by the new Communist government after the war, Sơn continued to compose until his death in 2001, and his songs are still popular in Vietnam today. Some reasons for his popularity are offered, including the freshness of his early love songs, his evocation of Buddhist themes, his ability to express the mood of Southerners during the war, and a mixture of patience and persistence that enabled him to continue to compose in postwar Vietnam.