1920s trends discussed in Chapter 3 continue to figure in the next decade, in which the work of J.W Dunne – loosely connected with the popularity of relativity, and proposing a visionary, pre-cognitive understanding of time – exercised an influence over several contemporary authors. Generally, though, 1930s writing moved away from resistance to the minutely-measured temporalities of the clock and towards broader, often nostalgic encounters of memory with history, with some of Virginia Woolf’s later fiction indicating the nature of the change. The long analepsis in Rebecca West’s The Return of the Soldier provides a paradigm for many nostalgic revisitings, in 1930s fiction, of the supposedly-idyllic Edwardian period – in novels by Christopher Isherwood, Aldous Huxley, Lewis Grassic Gibbon, George Orwell and others. Similar patterns of analepsis and idyllic recollection can be found in writing published during and after the Second World War, by authors including Evelyn Waugh, Joyce Cary, Rosamond Lehmann, L.P Hartley and others. Though still occasionally discernible in fiction later in the century, the pattern fades during the following decades, whose difficulties in recalling affirmatively any period within living memory may have constituted a problem for narrative fiction generally.