Voor-woord / voor-beeld

Without abstract

Reviewing the difficulties of Hungarian higher education in the first quarter of the 20th century and the role of university youth after the ‘Great War’

The basic idea of this paper was generated by some motion pictures shot on October events of 1918. This, at that time fundamentally novel media of mass communication can be considered as a visual interpretation of the moral behavior and the role attributed to the contemporary university youth in the series of revolutions after the ‘Great War’. Young people, many of them from universities, collected shocking experiences in the war that generated their moral and behavioral transition. At the time of the turn of the century there were development processes initiated in the Hungarian higher education, however, the war caused a break in these processes and, there were also certain structural changes introduced during and immediately after the end of the war which resulted in chaotic circumstances that kept on deepening the stress of students. Both the traditional press together with other printed documents and the contemporary newsreel have provided us with the sources being necessary and enough for making an attempt to answer, in what here follows, the questions: how the drastically changed, consequently chaotic situation within the Hungarian higher education along with the declined activity of student associations influenced the students, as well as how the most highlighted phenomena, such as the impact of war on everyday life and economy, the emergence and spread of violence, the reactions to the increased admission of female and Jewish students at universities affected the entire society and within this the university circumstances immediately after the armistice, and why the violence, radicalization, and “brutalization” of the so-called “war generation” became featuring at demonstrations.

Thuiskomen in Nederland: migratiegeschiedenis schrijven met Delpher

Delpher is the largest collection of full-text Dutch-language digitised historical news­papers, books, journals and copy sheets for radio news broadcasts available on a website. This article shows the possibilities of Delpher for doing research on Dutch-Hungarian relations by showing the results of an explorative study on a part of the migration history of one Hungarian family in The Hague. The author shows some very specific parts of the micro history of this family based on the content of newspaper advertisements. These sources were identified by addresses, telephone numbers and unique names.

Een toeristische brochure: een oefening in persuasieve teksten

Persuasive documents are defined as documents that transfer the information to the reader with the purpose of influencing their attitude. Travel brochures, like the brochure of the city of Zagreb, the capital of Croatia, also belong to this category. Since tourism plays an important role in Croatia’s economy and since every year the number of Dutch speaking tourists visiting Zagreb is growing, a two-part study was conducted to test whether the Dutch translation of the brochure fulfils its purpose, i.e. whether it is convincing or not. The first part of the study was carried out using Hoeken’s (Het ont­werp van overtuigende teksten) pros-and-cons method. Six subjects participated in the study: three from the Netherlands and three from Flanders, Belgium. The second part of the study consists of authors’ analysis of the brochure based on Hoeken’s method as well. Finally, advice is given on how the brochure could be improved.

Woord en beeld

As an ecumenical theologian I studied all my life the words of the Holy Scriptures. I am also interested in images, strengthening the power of expression of words and the Word, and the other way around. In our present time the culture of images seems to be more and more important. One image can tell you more in a minute than many words can do. The Bible is interpreted by many interpreters and preachers in books, sermons and meditations. How can images interpret these Bible Stories? It is a challenge to show the correlation between the words of the Bible and its images. In this essay, I focus on the parable of the prodigal son. It shows three personalities: the father and his two sons. This raises the question: what about the mother? What is the interference between this story and the way individual artists managed to shape it in paint, pencil, stone, woodcut, and other materials? The youngest son is a spoiler. His life is adventure and pleasure and he has no limits. The eldest son is responsible and obedient, but he also has his dark side. Both of them could be a question to us. With whom could we identify ourselves? Some artists in their finest imagination did not stick to the story and made images of the mother or even of a prodigal daughter.

De tuinman, de geldschieter, de koelie-werver en de mandoer

The Hungarian planter László Székely was active as a painter on Sumatra during the first decennia of the 20th century. In 1923 he painted four portraits of people from the plan­ters’ community: The Mandoer, The Moneylender, The Toekang-kebon and The Koelie recruiter, which appeared in the weekly paper De Zweep. In this article I will give an over­view of the cultural life in Deli and place Székely’s work in this context. Further­more, I will explain the uniqueness of Székely’s portraits, using the theory of the English cultural historian Peter Burke.