In this essay I intend to pursue a comparative reading of three postcolonial texts – in their intertextual and counter-canonical relationship with Franz Kafka’s The Metamorphosis (1915) – that deal with the ethics, but also the aesthetics, of the relationship between humans and animals. By doing so, and with the help of the Kafkian critical apparatuses, particularly Deleuze and Guattari’s critical contribution (1986), which will be the core of this study, I will also examine the nexus between literature and the environment, with particular emphasis on waste, also taking into consideration the paradigms of necropolitics (Mbembe 2003) and of écart (Jullien 2012). Kafka’s Curse (1997), by South African writer Achmat Dangor, Cockroach (2008) by Canadian-Lebanese Rawi Hage, and Blackass (2015) by Nigerian Igoni Barrett will be here analysed and scrutinised.
‘Winter of things flow’: Poetry, Nature and the Nurture of the Soul. An Interview with Jaydeep Sarangi