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Published By Cambridge University Press

1469-9877, 1353-2944

Modern Italy ◽  
2021 ◽  
pp. 1-13
Author(s):  
Carlo Moll

Abstract Through the comparative reading of Italian literature of the Great War (letteratura di guerra) published between 1915 and 1940, it will be shown that both among veterans of the conflict and civilian writers there existed a standardised image of falling ‘beautifully’ in combat that entailed specific components relating to location, time, final gestures and last invocations, and which aimed to make death in battle more militarily and culturally palatable for Italian audiences. At the same time, the letteratura di guerra presented naturalistic descriptions of the anonymous mass death of peasant soldiers and, thereby, created a pathos of beauty and suffering that made the Italian literature of the Great War prototypical for a new kind of spiritual realism that became one of the mainstreams of cultural expression in Fascist Italy.


Modern Italy ◽  
2021 ◽  
pp. 1-14
Author(s):  
Amy Muschamp

Abstract By the end of the 1930s in Italy, ambitious winter and summer camps or colonie cimatiche for the young had been erected along Italy's coastline and in its Alpine resorts. Here, thousands of Italian children from the country's urban centres were sent to experience a regime of fresh air, exercise and Fascist propaganda. The small village of Fai in the autonomous province of Trento in the Italian Alps was home to the first such Alpine colonia managed by the Italian Fascist youth organisation, the Opera Nazionale Balilla. Through an examination of a range of contemporary Italian publications, this article will reveal how the Alpine colonia climatica went beyond its official remit of ‘climatic assistance to childhood’. It offers evidence of the Fascist regime's exploitation of these establishments in newly-annexed Trentino as a tool to unify and italianise, and argues that they were used to promote a militarised view of the national landscape.


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