An Indolent and Blundering Art?
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Published By Routledge

9780429456800

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Objects of desire: etching and print collecting

An Indolent and Blundering Art? ◽

10.4324/9780429456800-4 ◽

2018 ◽

pp. 63-87

Author(s):

Emma Chambers

Etching from nature: urban texts and tourism

An Indolent and Blundering Art? ◽

10.4324/9780429456800-6 ◽

2018 ◽

pp. 127-165

Author(s):

Emma Chambers

Introduction: 'An indolent and blundering art'? The Etching Revival and the redefinition of etching in England 1838–1892

An Indolent and Blundering Art? ◽

10.4324/9780429456800-1 ◽

2018 ◽

pp. 1-12

Author(s):

Emma Chambers

Exhibition culture: the luxury commodity and the status of etching in the late nineteenth century

An Indolent and Blundering Art? ◽

10.4324/9780429456800-7 ◽

2018 ◽

pp. 167-187

Author(s):

Emma Chambers

Keyword(s):

Nineteenth Century ◽

Late Nineteenth Century ◽

Exhibition Culture ◽

The Status ◽

Late Nineteenth

Medium and message: etching and the illustrated book

An Indolent and Blundering Art? ◽

10.4324/9780429456800-5 ◽

2018 ◽

pp. 89-125

Author(s):

Emma Chambers

Keyword(s):

Illustrated Book

Private sociability versus professional status: etching clubs and societies in nineteenth-century England

An Indolent and Blundering Art? ◽

10.4324/9780429456800-3 ◽

2018 ◽

pp. 43-62

Author(s):

Emma Chambers

Keyword(s):

Nineteenth Century ◽

Professional Status

From chemical process to the aesthetics of omission: etching and the languages of art criticism in nineteenth-century England

An Indolent and Blundering Art? ◽

10.4324/9780429456800-2 ◽

2018 ◽

pp. 13-42

Author(s):

Emma Chambers

Keyword(s):

Nineteenth Century ◽

Chemical Process ◽

Art Criticism