Control of Mammalian Locomotion by Somatosensory Feedback

2021 ◽  
pp. 2877-2947
Author(s):  
Alain Frigon ◽  
Turgay Akay ◽  
Boris I. Prilutsky
2016 ◽  
Vol 9 (4) ◽  
pp. 515-522 ◽  
Author(s):  
Jeneva A. Cronin ◽  
Jing Wu ◽  
Kelly L. Collins ◽  
Devapratim Sarma ◽  
Rajesh P. N. Rao ◽  
...  

Neuroreport ◽  
2003 ◽  
Vol 14 (14) ◽  
pp. 1803-1807 ◽  
Author(s):  
Dennis A. Nowak ◽  
Stefan Glasauer ◽  
Joachim Hermsdörfer

Author(s):  
A. Nedelkou ◽  
V. Hatzitaki ◽  
K. Chatzinikolaou ◽  
G. Grouios

2020 ◽  
Vol 27 (2) ◽  
pp. 126-132
Author(s):  
Seo-hyun Kim ◽  
Kyung-eun Lee ◽  
One-bin Lim ◽  
Chung-hwi Yi

2019 ◽  
Author(s):  
Cassandra Leigh Jacobs ◽  
Torrey M. Loucks ◽  
Duane Watson ◽  
Gary S. Dell

Repetition reduces word duration. Explanations of this process have appealed to audience design, internal production mechanisms, and combinations thereof (e.g. Kahn & Arnold, 2015). Jacobs, Yiu, Watson, and Dell (2015) proposed the auditory feedback hypothesis, which states that speakers must hear a word, produced either by themselves or another speaker, in order for duration reduction on a subsequent production. We conducted a strong test of the auditory feedback hypothesis in two experiments, in which we masked auditory feedback and whispering to prevent speakers from hearing themselves fully. Both experiments showed that despite limiting the sources of normal feedback, repetition reduction was observed to equal extents in masked and unmasked conditions, suggesting that repetition reduction may be supported by multiple sources, such as somatosensory feedback and feedforward signals, depending on their availability.


Author(s):  
Boris A. Kleber ◽  
Jean Mary Zarate

To produce vocalizations including speech and song, the control of all muscles along the vocal tract (e.g. for respiration, vocal fold motion, resonance changes, and articulation) requires the concerted effort of a vast network of brain regions. However, singers are usually unaware of the neural networks that govern and coordinate all of these muscle groups, or what happens in these networks when auditory or somatosensory feedback notifies the singer of vocal errors, or if feedback is compromised even temporarily. In this chapter, the authors attempt to define the basic neural networks involved in singing, discuss how these networks may change due to extensive vocal training and practice, and present recent findings that illustrate how the networks respond to alterations to auditory and kinesthetic feedback.


2019 ◽  
Vol 121 (6) ◽  
pp. 2083-2087 ◽  
Author(s):  
Cristian Cuadra ◽  
Ali Falaki ◽  
Robert Sainburg ◽  
Fabrice R. Sarlegna ◽  
Mark L. Latash

We tested finger force interdependence and multifinger force-stabilizing synergies in a patient with large-fiber peripheral neuropathy (“deafferented person”). The subject performed a range of tasks involving accurate force production with one finger and with four fingers. In one-finger tasks, nontask fingers showed unintentional force production (enslaving) with an atypical pattern: very large indices for the lateral (index and little) fingers and relatively small indices for the central (middle and ring) fingers. Indices of multifinger synergies stabilizing total force and of anticipatory synergy adjustments in preparation to quick force pulses were similar to those in age-matched control females. During constant force production, removing visual feedback led to a slow force drift to lower values (by ~25% over 15 s). The results support the idea of a neural origin of enslaving and suggest that the patterns observed in the deafferented person were reorganized based on everyday manipulation tasks. The lack of significant changes in the synergy index shows that synergic control can be organized in the absence of somatosensory feedback. We discuss the control of the hand in deafferented persons within the α-model of the equilibrium-point hypothesis and suggest that force drift results from an unintentional drift of the control variables to muscles toward zero values. NEW & NOTEWORTHY We demonstrate atypical patterns of finger enslaving and unchanged force-stabilizing synergies in a person with large-fiber peripheral neuropathy. The results speak strongly in favor of central origin of enslaving and its reorganization based on everyday manipulation tasks. The data show that synergic control can be implemented in the absence of somatosensory feedback. We discuss the control of the hand in deafferented persons within the α-model of the equilibrium-point hypothesis.


2019 ◽  
Vol 66 ◽  
pp. 355-362 ◽  
Author(s):  
Jordan J. Craig ◽  
Adam P. Bruetsch ◽  
Sharon G. Lynch ◽  
Jessie M. Huisinga

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