Procedures for determining and then modifying the extinction component of multiple schedules for destructive behavior

2021 ◽  
Author(s):  
Scott A. Miller ◽  
Wayne W. Fisher ◽  
Brian D. Greer ◽  
Valdeep Saini ◽  
Madeleine D. Keevy
Keyword(s):  
Destructive Behavior ◽  
Multiple Schedules ◽  
Extinction Component

Animal Models of Self-Destructive Behavior and Suicide

1985 ◽  
Vol 8 (2) ◽  
pp. 299-310 ◽  
Author(s):  
Jacqueline N. Crawley ◽  
Mary E. Sutton ◽  
David Piekar
Keyword(s):  
Animal Models ◽  
Destructive Behavior

Self-Destructive Behavior in Hospitalized Medical and Surgical Patients

1985 ◽  
Vol 8 (2) ◽  
pp. 279-289 ◽  
Author(s):  
Charles H. Kellner ◽  
Connie L. Best ◽  
John M. Roberts ◽  
Oliver Bjorksten
Keyword(s):  
Surgical Patients ◽  
Destructive Behavior

Queer Sondheim

2014 ◽  
Author(s):  
Scott F. Stoddart
Keyword(s):  
Functional Relationship ◽  
Behavior Patterns ◽  
Destructive Behavior

Road Showmarked the acknowledgement of a gay sensibility in Sondheim’s work: not only do the homosexual couple, Addison Mizner and Hollis Bessemer, represent the show’s only functional relationship, the lovers sing its one duet, “The Best Thing that Ever Has Happened.” How do the queer instances that have always permeated Sondheim’s work resonate for gay audiences? While some critics attest that Sondheim must be read as a closeted writer, this is true only if you read his work superficially, focusing on questions regarding the relationships in his works: from Bobby’s chosen isolation inCompanythrough Sweeney’s villainous rampage inSweeney Todd(1979) to Fosca’s destructive behavior patterns inPassion(1994). The chapter reveals how, in dismantling the heteronormative structure of the traditional musical, Sondheim “queered” the form in a variety of ways.

Dishabituation produces interactions during multiple schedules

2004 ◽  
Vol 35 (4) ◽  
pp. 419-434 ◽  
Author(s):  
Frances K. McSweeney ◽  
Benjamin P. Kowal ◽  
Eric S. Murphy ◽  
Duane M. Isava
Keyword(s):  
Multiple Schedules
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