Resonant Air Column in Wind Instruments

Author(s):  
Voichita Bucur
Keyword(s):  
Early Music ◽  
1976 ◽  
Vol 4 (4) ◽  
pp. 461-464
Author(s):  
DEIRDRE DAINES ◽  
ROBIN HEWITT ◽  
GERALD VICKERS ◽  
JOHN HANCHET
Keyword(s):  

2016 ◽  
Vol 29 (22) ◽  
pp. 8249-8267 ◽  
Author(s):  
Jian Shi ◽  
Weihong Qian

Abstract Using the daily mean anomalies of atmospheric variables from the NCEP Reanalysis-1 (NCEP R1), this study reveals the connection between anomalous zonal activities of the South Asian high (SAH) and Eurasian climate anomalies in boreal summer. An analysis of variance identifies two major domains with larger geopotential height variability located in the eastern and western flanks of the SAH at around 100 and 150 hPa, respectively. For both eastern and western domains, extreme events are selected during 1981–2014 when normalized height anomalies are greater than 1.0 (less than −1.0) standard deviation for at least 10 consecutive days. Based on these events, four SAH modes that include strong and weak Tibetan modes (STM and WTM, respectively) and strong and weak Iranian modes (SIM and WIM, respectively) are defined to depict the zonal SAH features. The positive composite in the eastern (western) domain indicates the STM (SIM) manifests a robust wavelike pattern with an anomalous low at 150 hPa, and surface cold and wet anomalies over Mongolia and northern China (Kazakhstan and western Siberia) are surrounded by three anomalous highs at 150 hPa and surface warm and dry anomalies over Eurasia. Opposite distributions are also evident in the negative composites of the two domains (WTM and WIM). The surface air temperature anomalies are the downward extension of an anomalous air column aloft while the precipitation anomalies are directly associated with the height anomalies above the air column.


Acoustics ◽  
2021 ◽  
Vol 3 (3) ◽  
pp. 507-544
Author(s):  
Arnd Adje Both

This paper presents the acoustic study of a sample of sonic artefacts, in particular a selection of wind instruments (horns, trumpets and pipes), from the UNESCO World Heritage Centre of Teotihuacan, Mexico, based on a thorough examination of the accessible and playable archaeological finds and the construction and subsequent test of a series of experimental models. Combined with the archaeological and iconographical information, the study helps to deduce information with regard to the urban settings in which these instruments might have been used. It also reveals some basic acoustic components of the music once performed in Teotihuacan.


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