Seismic Structural Evaluation of Candi Siva, Prambanan World Heritage Temple, by Introducing Muography

2021 ◽  
pp. 1443-1454
Author(s):  
Toshikazu Hanazato ◽  
Hiroyuki Tanaka ◽  
Yasufumi Uekita ◽  
Yoyok Subroto
2016 ◽  
Vol 5 (1) ◽  
pp. 1-10
Author(s):  
Caroline Jaeger Klein

In 2015, Kosovo tried to join UNESCO and failed by three quotes. Is Kosovo ready for its UNESCO membership? At least for its national architectural heritage, this question is to answer with no. The intensively discussed issue of the medieval monuments of Kosovo inscribed as UNESCO World Heritage by Serbia and Montenegro before the declaration of independency in 2008 and their further management through Kosovo is just one aspect. More troubling is that the rather young state not yet could establish sufficient structures to gain a systematic inventory of its monuments, sites and historic ensembles, nor to extract a tentative list for UNESCO out of such an encompassing inventory. This article intends to clarify the definitions of World Heritage, the institutions and NGO’s involved, the mechanisms and philosophies behind. What is the urgent homework for Kosovo? Which national and international groups of experts Kosovo has to name and make responsible for the systemic inventory of its architectural heritage and for creating a tentative list? What is the role and importance of ICOMOS in that process? Which other stakeholders have to be Identified and educated towards that issue?</p><p>Based on such general considerations the author tries to design finally a preliminary tentative list for the architectural heritage of Kosovo. Hence, not the list itself is of importance but the discussion of the pro and contra arguments for single candidates.


2001 ◽  
Vol 85 (6) ◽  
pp. 37-42 ◽  
Author(s):  
Scott Kent ◽  
Dan Tingley

ARCHALP ◽  
2018 ◽  
pp. 174-179
Author(s):  
Francesca Bogo

The Province of Belluno is home of great human and landscape quality and of the beautiful Dolomites, UNESCO World Heritage. How experiences of contemporary architecture fit and how are promoted in this context? It can be said that contemporary architecture does not attract a big audience. This is despite the constant efforts by various bodies and associations to promote its diffusion and development through competitions, conferences, workshops and case studies. In the Belluno region, apart from the extraordinary extant historical heritage, there are widespread examples of new architecture known as “false alpine models” or architecture that has erroneously become typical of the Province’s image. This is the reason why this new architecture with its range of peculiarities is widely reiterated, from north to south of the area. Even though buildings of this type lack any real ties with history or tradition, they find widespread approval by institutions and commissions. They are the result of repetitive practices deriving from constraints imposed by local regulations and a limited aptitude in the use of contemporary language of architecture. Even if the barometer of the vitality of contemporary architecture in the region of Belluno is rather lukewarm, dampened by cultural resistance and by regulatory constraints affecting its growth and diffusion, there is no lack of experiences, initiatives and achievements. The latter is evidence of the fact that where research and the use of contemporary languages are accompanied by the opinions of enlightened patrons, good architecture is born, which find space in the arena of national and international architectural debate. Examples of good architecture, even though limited in number, are distributed across the Province and constitute heritage and the focus for promoting and consolidating the growth and dissemination of contemporary architecture throughout the area.


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