Pivotal Moments in Japanese ODA: Circa 1950–2010

Author(s):  
Jin Sato
Keyword(s):  
Author(s):  
Sally-Ann Treharne

Reagan and Thatcher’s Special Relationship offers a unique insight into one of the most controversial political relationships in recent history. An insightful and original study, it provides a new regionally focused approach to the study of Anglo-American relations. The Falklands War, the US invasion of Grenada, the Anglo-Guatemalan dispute over Belize and the US involvement in Nicaragua are vividly reconstructed as Latin American crises that threatened to overwhelm a renewal in US-UK relations in the 1980s. Reagan and Thatcher’s efforts to normalise relations, both during and after the crises, reveal a mutual desire to strengthen Anglo-American ties and to safeguard individual foreign policy objectives whilst cultivating a close personal and political bond that was to last well beyond their terms in office. This ground-breaking reappraisal analyses pivotal moments in their shared history by drawing on the extensive analysis of recently declassified documents while elite interviews reveal candid recollections by key protagonists providing an alternative vantage point from which to assess the contentious ‘Special Relationship’. Sally-Ann Treharne offers a compelling look into the role personal diplomacy played in overcoming obstacles to Anglo-American relations emanating from the turbulent Latin American region in the final years of the Cold War.


2020 ◽  
Author(s):  
Alberto N. García ◽  
Pablo Castrillo

This article analyzes, from an aesthetic and cultural point of view, two pivotal moments in The Americans, a Cold War spy thriller set in the heart of Ronald Reagan’s America. Both samples—one from the mid-series episode “Stingers” (3.10.), and the other from the series finale, “START” (6.10.)—show how the protagonists, two KGB spies living undercover in the United States as a married couple with two kids, disclose their secret identity to characters with whom they have a special emotional bond: their daughter, who has become a devout Christian; and their best friend and neighbor, who happens to be a counterintelligence officer in the FBI. After exploring how identity and performance play a crucial role in the spy-thriller genre, the article investigates whether it is possible for the audience to interpret the feelings and thoughts of characters with multiple identities who excel in the art of duplicity; and whether the viewer can infer intention from performance. Following this epistemological discussion, the article then sets out to explain the sociocultural relevance and timeliness of The Americans as a text whose thematic and aesthetic concerns ultimately revolve around individual identity vis-a-vis collective allegiances and ideologies.


Author(s):  
Christopher Grobe

As each art form turned confessional, the first artists to attempt it had unusual amounts of social privilege—e.g., among poets, Robert Lowell, a Boston Brahmin. That, perhaps, is why confessional artists have tended to be white, at least in early, pivotal moments in each art form. And yet, over and over, these white, confessional artists have adopted the voices of ethnic and racial others, credentialing their angst through appropriation. Not only is confessionalism unbearably white as a movement, but confessional artists tend to find their own whiteness unbearable. Nonwhite confessional artists, though, do something similar—e.g., in comedy, Richard Pryor—blending personal expression with persona performance, fostering identifications across identitarian boundaries.


Author(s):  
Jim Duvall ◽  
Robert Maclennan
Keyword(s):  

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