scholarly journals Report of an Indian Family with Sengers Syndrome

2020 ◽  
Vol 88 (1) ◽  
pp. 92-92
Author(s):  
Bhawana Aggarwal ◽  
Madhulika Kabra ◽  
Neerja Gupta
2010 ◽  
Vol 90 (3) ◽  
pp. 357-358 ◽  
Author(s):  
Dilip K. Patel ◽  
Siris Patel ◽  
Ranjeet S. Mashon ◽  
Preetinanda M. Dash ◽  
Malay B. Mukherjee

2021 ◽  
pp. 107371
Author(s):  
Nora Fawzy Fnon ◽  
Hanan Hosney Hassan ◽  
Hazem Mahmoud Ali ◽  
Zahraa Khalifa Sobh

Hemoglobin ◽  
1978 ◽  
Vol 2 (6) ◽  
pp. 531-540 ◽  
Author(s):  
H. F. Bunn ◽  
A. J. Altman ◽  
K. Stangland ◽  
S. I. Firshein ◽  
B. Forget ◽  
...  

2017 ◽  
Vol 50 (6) ◽  
pp. 886-892 ◽  
Author(s):  
Yih-Yuan Chen ◽  
Jia-Ru Chang ◽  
Wei-Feng Huang ◽  
Chih-Hao Hsu ◽  
Han-Yin Cheng ◽  
...  

2011 ◽  
Vol 79 (11) ◽  
pp. 1520-1522 ◽  
Author(s):  
Suvasini Sharma ◽  
Rosa Torres Jiménez ◽  
Satinder Aneja ◽  
Marta G. Garcia ◽  
Gulshan R. Sethi
Keyword(s):  

Author(s):  
Chhavi ◽  
◽  
Rajiv Bhushan ◽  

Abstract Mahesh Dattani is one of the leading Indian dramatists who responded to the problems of sexuality on the canvass of Indian theatre. He examined various facets of subjugation and marginalization rampant in Indian society. His plays focus on the sub-urban Hindu family and its trifle with gender and alternate sexuality. His plots revolve around the damaging implications of patriarchal constructs and his characters strive for liberty and self-satisfaction beneath hegemonic masculinity, compulsive heteronormativity and prejudiced cultural domain. Regarding his famous play Dance Like a Man, this paper critically examines the existing socio-cultural domain which practices politics of exclusion of androgynous identities behind the façade of peacefully cohabiting heterosexual Indian family and shows how Dattani, has remarkably countered the presentation of the polarized association of gender roles with conventional practice through performance of his protagonist. Set against the backdrop of patriarchal mindset, this paper delineates that the victim of patriarchal norms is not a woman but a man, who has traits of androgyny. It gives a brief account to highlight the significance of androgyny and portrays how androgyny is directly proportional to creativity. It elucidates how androgynous men undergo searing experiences of stigma and social untouchability in a traditional setup and how patriarchal norms reinforce dominant powers of society to stunt the growth of their personality.


2019 ◽  
Vol 7 (8) ◽  
pp. 10
Author(s):  
S. Shobana

The paper aims to research the search for self-identity and feminism in Manju Kapur's Home. Home is a masterful novel of the acts of kindness, compromise, and secrecy that lies at the center of each family. The novel, narrate of Indian family life spans three generations whose destiny and dreams are pasted to the Banwarilal cloth shop.  Nisha the protagonist has got to struggle for establishing her identity and to survive during this male-dominated world.  In Indian society, women have never been acknowledged as a person outside their              pre-destined roles of a woman, daughter, and mother.  The female hero of Home tries to free herself of ‘dependence syndrome' thrust upon her by the agents of social organization. The paper focuses on the journey of the feminine protagonist, Nisha towards individuality and self-identity and don't wish to be seen as a self-sacrificing rubber-doll. She had to struggle for her existence as, like different heroines of Manju Kapur, she is within the transformation to innovate the search of autonomy and feminine identity.  


2001 ◽  
Vol 49 (1) ◽  
pp. 117-121 ◽  
Author(s):  
Hiroto Fujigasaki ◽  
Ishwar C. Verma ◽  
Agn�s Camuzat ◽  
Russell L. Margolis ◽  
Cecilia Zander ◽  
...  

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