scholarly journals Interrelation of attention and prediction in visual processing: Effects of task-relevance and stimulus probability

2017 ◽  
Vol 125 ◽  
pp. 76-90 ◽  
Author(s):  
Anna Marzecová ◽  
Andreas Widmann ◽  
Iria SanMiguel ◽  
Sonja A. Kotz ◽  
Erich Schröger
1977 ◽  
Vol 42 (1) ◽  
pp. 1-14 ◽  
Author(s):  
Kenneth C Squires ◽  
Emanuel Donchin ◽  
Ronald I Herning ◽  
Gregory McCarthy

Author(s):  
Marzecov� Anna ◽  
SanMiguel Iria ◽  
Widmann Andreas ◽  
Kotz Sonja ◽  
Schr�ger Erich

1991 ◽  
Vol 28 (2) ◽  
pp. 185-200 ◽  
Author(s):  
Diana Deacon ◽  
Françloise Breton ◽  
Walter Ritter ◽  
Herbert G. Vaughan

1976 ◽  
Vol 13 (4) ◽  
pp. 311-317 ◽  
Author(s):  
Walton T. Roth ◽  
Judith M. Ford ◽  
Stephen J. Lewis ◽  
Bert S. Kopell

2004 ◽  
Vol 63 (3) ◽  
pp. 143-149 ◽  
Author(s):  
Fred W. Mast ◽  
Charles M. Oman

The role of top-down processing on the horizontal-vertical line length illusion was examined by means of an ambiguous room with dual visual verticals. In one of the test conditions, the subjects were cued to one of the two verticals and were instructed to cognitively reassign the apparent vertical to the cued orientation. When they have mentally adjusted their perception, two lines in a plus sign configuration appeared and the subjects had to evaluate which line was longer. The results showed that the line length appeared longer when it was aligned with the direction of the vertical currently perceived by the subject. This study provides a demonstration that top-down processing influences lower level visual processing mechanisms. In another test condition, the subjects had all perceptual cues available and the influence was even stronger.


Author(s):  
Leland van den Daele ◽  
Ashley Yates ◽  
Sharon Rae Jenkins

Abstract. This project compared the relative performance of professional dancers and nondancers on the Music Apperception Test (MAT; van den Daele, 2014 ), then compared dancers’ performance on the MAT with that on the Thematic Apperception Test (TAT; Murray, 1943 ). The MAT asks respondents to “tell a story to the music” in compositions written to represent basic emotions. Dancers had significantly shorter response latency and were more fluent in storytelling than a comparison group matched for gender and age. Criterion-based evaluation of dancers’ narratives found narrative emotion consistent with music written to portray the emotion, with the majority integrating movement, sensation, and imagery. Approximately half the dancers were significantly more fluent on the MAT than the TAT, while the other half were significantly more fluent on the TAT than the MAT. Dancers who were more fluent on the MAT had a higher proportion of narratives that integrated movement and imagery compared with those more fluent on the TAT. The results were interpreted as consistent with differences observed in neurological studies of auditory and visual processing, educational studies of modality preference, and the cognitive style literature. The MAT provides an assessment tool to complement visually based performance tests in personality appraisal.


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