scholarly journals Hair testing to assess both known and unknown use of drugs amongst ecstasy users in the electronic dance music scene

2017 ◽  
Vol 48 ◽  
pp. 91-98 ◽  
Author(s):  
Joseph J. Palamar ◽  
Alberto Salomone ◽  
Enrico Gerace ◽  
Daniele Di Corcia ◽  
Marco Vincenti ◽  
...  
Keyword(s):  
Dance Music ◽  
Electronic Dance Music ◽  
Music Scene ◽  
Hair Testing

Solidarity and Drug Use in The Electronic Dance Music Scene

2008 ◽  
Vol 49 (1) ◽  
pp. 181-208 ◽  
Author(s):  
Philip R. Kavanaugh ◽  
Tammy L. Anderson
Keyword(s):  
Drug Use ◽  
Dance Music ◽  
Electronic Dance Music ◽  
Music Scene

scholarly journals Popular Musics of India: An Ethnomusicological Review

2019 ◽  
Vol 6 (3) ◽  
pp. 111
Author(s):  
Devpriya Chakravarty
Keyword(s):  
Popular Music ◽  
Historical Analysis ◽  
Dance Music ◽  
Music Culture ◽  
Electronic Dance Music ◽  
Music Scene ◽  
Urban Indian ◽  
Scholarly Attention

This article brings into discussion the presence of a contemporary popular music culture amongst globalised, urban, Indian youth which is perpetuated by Electronic Dance Music (EDM) festivals. This paper begins with the argument as to how there is no one monolithic popular music scene in India by presenting a historical analysis of a timeline for popular musics of India, a scene that has received scanty scholarly attention. 

scholarly journals Warp's Music Videos: Affective Communities, Genre and Gender in Electronic/Dance Music's Visual Aesthetic

2019 ◽  
Vol 16 (4) ◽  
pp. 571-590
Author(s):  
Mimi Haddon
Keyword(s):  
Multidisciplinary Approach ◽  
Division Of Labour ◽  
Music Videos ◽  
Music Video ◽  
Dance Music ◽  
Electronic Dance Music ◽  
Production Studies ◽  
Music Scene ◽  
And Gender ◽  
The Way

This article examines Warp's music videos primarily from the ‘Warp Vision’ era of 1989–2004. I adopt a multidisciplinary approach and map three analytical perspectives. Firstly, I look at the videos' origins in Sheffield's electronic/dance music scene of the early 1990s. I then consider the way in which Warp's visual aesthetic refracts a gendered and raced identity through the lens of cult fandom and the ‘techno-geek’. Finally, I scrutinise the gendered division of labour involved in the making of Warp's music videos and consider how production studies might enhance current approaches to the study of music video.

Exploring the Drugs-Crime Connection within the Electronic Dance Music and Hip-Hop Nightclub Scenes

2007 ◽  
Author(s):  
Tammy L. Anderson ◽  
Philip R. Kavanaugh ◽  
Ronet Bachman ◽  
Lana D. Harrison
Keyword(s):  
Hip Hop ◽  
Dance Music ◽  
Electronic Dance Music

The Dance Chorus in Recent Top-40 Music

2020 ◽  
Vol 6 (4) ◽  
Author(s):  
Alyssa Barna
Keyword(s):  
Popular Music ◽  
Dance Music ◽  
Electronic Dance Music ◽  
Production Techniques ◽  
Top 40

Contemporary trends in popular music incorporate timbres, formal structures, and production techniques borrowed from Electronic Dance Music (EDM). The musical surface demonstrates this clearly to the listener; less obvious are the modifications made to formal prototypes used in rock and popular music. This article explains a new formal section common to collaborative Pop/EDM songs called the Dance Chorus. Following the verse and chorus, a Dance Chorus is an intensified version of the chorus that retains the same harmony and contains the hook of the song, which increases memorability for the audience. As the name implies, the Dance Chorus also incorporates and acknowledges the embodiment performed in this section.

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