Sourcing and production decisions for perishable items under quantity discounts and its impacts on environment

2021 ◽  
pp. 128455
Author(s):  
Lu Liu ◽  
Qiuhong Zhao ◽  
Ernesto DR Santibanez-Gonzalez ◽  
Xunzhuo Xi
Keyword(s):  
Quantity Discounts ◽  
Production Decisions ◽  
Perishable Items

Some Laws of Quantity Discounts. II

1930 ◽  
Vol 3 (1) ◽  
pp. 51
Author(s):  
W. H. S. Stevens
Keyword(s):  
Quantity Discounts

Dynamic pricing and lot sizing for a newsvendor problem with supplier selection, quantity discounts, and limited supply capacity

2021 ◽  
Vol 154 ◽  
pp. 107113
Author(s):  
Omid Jadidi ◽  
Mohamad Y. Jaber ◽  
Saeed Zolfaghri ◽  
Roberto Pinto ◽  
Fatemeh Firouzi
Keyword(s):  
Dynamic Pricing ◽  
Supplier Selection ◽  
Lot Sizing ◽  
Newsvendor Problem ◽  
Quantity Discounts ◽  
Limited Supply ◽  
Supply Capacity

Disentangling trade reform impacts on firm market and production decisions

2021 ◽  
Vol 135 ◽  
pp. 103726 ◽  
Author(s):  
Maria Bas ◽  
Caroline Paunov
Keyword(s):  
Production Decisions ◽  
Trade Reform

Drama production and audiences as ‘affective superaddressee’ in an illiberal democracy

2021 ◽  
pp. 136754942110086
Author(s):  
Siao Yuong Fong
Keyword(s):  
Writing Process ◽  
Affect Theory ◽  
Media Industries ◽  
Media Production ◽  
Television Drama ◽  
Film Research ◽  
Production Decisions ◽  
Illiberal Democracy ◽  
History Of

There is a long history of television and film research that highlights the essential roles audiences play in everyday production decisions. Based largely on Western media industries, these studies’ investigations of producer–audience relationships have revolved predominantly around the market concerns of liberal media models. So how do producer–audience relationships work when it comes to illiberal contexts of media production? Using Singapore as a case study, this article argues that existing approaches to producer–audience relations largely based on liberal media industries like Hollywood are insufficient for thinking through audience power in everyday media production in illiberal contexts. Drawing on insights from affect theory, I examine the materials gathered during an immersive ethnography of the writing process of a Singaporean television drama and propose conceptualizing audiences as an ‘affective superaddressee’, as a productive way to think about the work that situational audiences do in everyday media production in illiberal contexts.

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