scholarly journals The turn-by-turn unfolding of “dialogue”: Examining participants’ orientations to moments of transformative engagement

2022 ◽  
Vol 82 ◽  
pp. 64-81
Author(s):  
Lotte van Burgsteden ◽  
Hedwig te Molder ◽  
Geoffrey Raymond
Author(s):  
Chelsea Klinke ◽  
Gertrude Korkor Samar

The contemporary global agrarian regime has altered the patterns of food production, circulation, and consumption. Its efforts towards food security vis-á-vis capitalist modes of mechanized cultivation have produced large-scale climatic and socioeconomic ramifications, including the dispossession of small-scale farmers from their lands and positions in market value-chains. In an effort to improve the dynamics of contemporary agro-food systems, food practitioners and scholars are engaging in critical analyses of land-grabbing, the feminization of agriculture, extractive-led development, and more. However, we argue that there is a gap between Food Studies scholarship and community-based transformative engagement. To support social justice frameworks, our paper calls for an academic paradigm shift wherein learner-centered experiential classrooms bridge academic-public divides and enhance student learning. Through a case-study of urban farming in Calgary, we also explore topics in place-based learning and participatory approaches that acknowledge and integrate Indigenous ways of knowing, doing, being, and connecting. Our paper provides strategies for supporting local food systems through activist scholarship, capacity building of leadership and technical skills in advanced urban farming, and intercultural relationship building. We conclude by evaluating the success of our approach, presenting potential benefits and challenges, and providing recommendations for best practices in food scholarship to support transformative change.


2007 ◽  
Vol 41 (1) ◽  
pp. 31-47 ◽  
Author(s):  
TESSA ROYNON

An important but little-studied feature of Toni Morrison's novels is their ambivalent relationship with classical tradition. Morrison was a classics minor while at Howard University, and her deployment of the cultural practices of ancient Greece and Rome is fundamental to her radical project. Indeed, the works' revisionary classicism extends far beyond the scope of established criticism, which has largely confined itself to the engagement with Greek tragedy in Beloved, with the Demeter/Kore myth in The Bluest Eye and with allusions to Oedipus and Odysseus in Song of Solomon.1 Morrison repeatedly subverts the central role that Greece and Rome have played in American self-definition and historiography. In Paradise, for example, the affinity between the Oven in Ruby and the Greek koine hestia or communal hearth critiques the historical Founding Fathers' insistence on their new nation's analogical relationship with the ancient republics. And in their densely allusive rewritings of slavery, the Civil War and its aftermath, Beloved and Jazz expose the dependence of the “Old South” on classical pastoral tradition. It should come as no surprise, therefore, that in her most recent novel – Love (2003) – Morrison further develops the transformative engagement with America's Graeco-Roman inheritance that characterizes all of her previous fiction.2


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