Linguistic and motor processes of normal and disordered speech production: Two words apart?

1997 ◽  
Vol 22 (2) ◽  
pp. 80
Author(s):  
L. De Nil
2011 ◽  
Vol 21 (2) ◽  
pp. 44-54
Author(s):  
Kerry Callahan Mandulak

Spectral moment analysis (SMA) is an acoustic analysis tool that shows promise for enhancing our understanding of normal and disordered speech production. It can augment auditory-perceptual analysis used to investigate differences across speakers and groups and can provide unique information regarding specific aspects of the speech signal. The purpose of this paper is to illustrate the utility of SMA as a clinical measure for both clinical speech production assessment and research applications documenting speech outcome measurements. Although acoustic analysis has become more readily available and accessible, clinicians need training with, and exposure to, acoustic analysis methods in order to integrate them into traditional methods used to assess speech production.


2000 ◽  
Vol 108 (5) ◽  
pp. 2508-2508
Author(s):  
Emily Q. Wang ◽  
Yi Xu ◽  
Katie Kompoliti ◽  
Christopher G. Goetz

1999 ◽  
Vol 42 (3) ◽  
pp. 604-617 ◽  
Author(s):  
Kris Tjaden

A simple acoustic model of overlapping, sliding gestures was used to evaluate whether coproduction was reduced for neurologic speakers with scanning speech patterns. F2 onset frequency was used as an acoustic measure of coproduction or gesture overlap. The effects of speaking rate (habitual versus fast) and utterance position (initial versus medial) on F2 frequency, and presumably gesture overlap, were examined. Regression analyses also were used to evaluate the extent to which across-repetition temporal variability in F2 trajectories could be explained as variation in coproduction for consonants and vowels. The lower F2 onset frequencies for disordered speakers suggested that gesture overlap was reduced for neurologic individuals with scanning speech. Speaking rate change did not influence F2 onset frequencies, and presumably gesture overlap, for healthy or disordered speakers. F2 onset frequency differences for utterance-initial and -medial repetitions were interpreted to suggest reduced coproduction for the utterance-initial position. The utterance-position effects on F2 onset frequency, however, likely were complicated by position-related differences in articulatory scaling. The results of the regression analysis indicated that gesture sliding accounts, in part, for temporal variability in F2 trajectories. Taken together, the results of this study provide support for the idea that speech production theory for healthy talkers helps to account for disordered speech production.


1994 ◽  
Vol 47 (1) ◽  
pp. 52-88 ◽  
Author(s):  
M.F. Schwartz ◽  
E.M. Saffran ◽  
D.E. Bloch ◽  
G.S. Dell

1993 ◽  
Vol 23 (1) ◽  
pp. 35-38 ◽  
Author(s):  
Barbara Bernhardt ◽  
Martin J. Ball

The Extensions to the IPA for the transcription of disordered speech and voice quality (extIPA) were approved at the 1989 IPA Congress in Kiel (see Duckworth et al. 1990, Ball 1991). A transcription system for disordered speech needs to provide sufficient diversity of symbols and diacritics to account for the majority of observed phonetic variants. Creation of standard new symbols and diacritics for every observed variant is ultimately counterproductive. We submit that the following phenomena have been observed frequently enough and have sufficient diagnostic and therapeutic implications to warrant consideration as new extensions to the IPA. We do not imply, however, that these are the only atypical speech production phenomena that may, in the long run, be worthy of inclusion in a revised extIPA, and we look forward to further suggestions from clinicians and phoneticians.


2000 ◽  
Vol 28 (3) ◽  
pp. 303-312 ◽  
Author(s):  
Marilyn Y. Chen ◽  
Kenneth N. Stevens ◽  
Hong-Kwang Jeff Kuo ◽  
Helen Chen

2019 ◽  
Vol 4 (6) ◽  
pp. 1637-1643
Author(s):  
Brad Rakerd ◽  
Eric J. Hunter ◽  
Peter LaPine

Purpose Studies of the respiratory and laryngeal actions required for phonation are central to our understanding of both voice and voice disorders. The purpose of this tutorial is to highlight complementary insights about voice that have come from the study of vocal tract resonance effects. Conclusion This tutorial overviews the following areas: (a) special resonance effects that have been found to occur in the vocal productions of professional performers; (b) resonance and antiresonance effects associated with nasalization, together with clinical considerations associated with the diagnosis and/or treatment of hyponasal and hypernasal speech; and (c) studies of resonant voice and what they tell us about both normal and disordered speech production.


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