Standing Mute as Imitatio Christi

2021 ◽  
pp. 303-347
Keyword(s):  
Author(s):  
Caroline Walker Bynum

In this chapter the renowned medievalist scholar Caroline Walker Bynum brings our attention to a striking historical occurrence: in twelfth- and thirteenth-century Europe the concern with and attachment to Eucharistic devotion was overwhelmingly female. Why this gender bias, and at that time? Christian women were predominantly “inspired, compelled, comforted and troubled by the Eucharist” and in many different forms—from miraculous apparitions, to experiences of ecstasy connected to the attendance and ingestion of the Eucharist, to the showing of sensorial excesses in its presence. Bynum shows how material and physical receptions of the body of Christ were expressed not only as forms of ecstasy but also as gendered modes of living the Imitatio Christi. This thirteenth-century corporeal, female experience of the Eucharist is connected to a particular moment in the life of Christ—the transition between life and death. Positioned as “brides” and hence as the erotic counterparts of Christ, women and female mystics exploited the full potential of Christ’s own corporeality rather than his otherworldly nature. Bynum’s work constitutes a formative reference point for scholars of Catholicism across a range of disciplines for the obvious reason that it deals so elegantly with themes of substance, gender, bodies, and devotional forms of Catholic practice. Her work continues to be an original source of inspiration for anthropologists because of its remarkable sensitivity to religion as an embodied, practice-generative engagement with the world. Bynum should also be considered as important for the “new” anthropology of Catholicism for her pioneering work on the gymnasticity of gender and for the attention it draws to the sublimated erotic tension that exists between institutional doxa and mystical aesthetics.2 In Bynum’s work, gender is not presented as merely one among a number of potential analytical foci for elaboration of Catholicism; rather, it is the very ontological architecture of the religious, and hence an essential topic for scholars seeking to understand Catholicism as a translocal force.


Last Acts ◽  
2019 ◽  
pp. 87-119
Author(s):  
Maggie Vinter

Shakespeare’s Richard II confronts usurpation by evoking the example of the Passion and so ties his anticipated death to the devotional practices of imitation. By relying on a religious tradition of imitatio Christi, Richard seeks to affirm his divine right to the throne. While he attempts to recruit mimetic death as a support for absolutist monarchy, the play as a whole develops a more complex politics around exemplary mortality. Richard’s alignment with Christ is continually disrupted by negative examples of dying badly. Judas and Faustus flicker behind his persona, indicating his limited control over the politics of resemblance. Moreover, the audiences who witness and adjudicate Richard’s performance are also implicated in political mimesis. When Richard abdicates, he draws members of Parliament into his performance of the Passion as representatives in a double sense: already witnesses standing for the interests of the country, they become Pilates and Judases authorizing his self-presentation as Christ. The play aligns sovereign mortality, dramatic imitation, and political surrogacy to anticipate ideas underpinning both Hobbes’s conception of absolute sovereignty in terms of personation and modern notions of representative governance.


Author(s):  
Laurence Lux-Sterritt

Illness and death were an important part of monastic life in the seventeenth century; healthy nuns cared for their sick and dying Sisters every day. Their chronicles and obituaries emphasize the importance of prolonged or severe diseases, and dwell, in long descriptions, upon the last moments of exemplary individuals. Though formulaic, these writings do provide clues about the ways in which English Benedictine nuns construed the concept of imitatio Christi. They reveal both the tragic suffering of individual women and the communal constructions they allowed. The suffering body found a power it never enjoyed in health: it assumed an aura of martyrdom akin to holiness. It became a holy relic, a witness of the truth and effectiveness of the basic principles of the Roman Church. Through such writings, the English nuns in exile hoped to edify populations beyond the walls of their cloisters.


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