embodied practice
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Author(s):  
Maya Unnithan

AbstractIndia’s current population policy is situated between two conflicting discourses of population management, one that is governed by a demographic rationale advocating strict State regulation of fertility, and the other that is delineated by a rights-based framework that promotes individual reproductive choice and bodily autonomy. In this chapter, I show how this conflicted policy discourse becomes supportive of processes that empower the State, rather than facilitate reproductive autonomy among claimants on the ground. The chapter draws on textual analysis of policy and programme documents and discussions with health providers, users and policy makers during long-term fieldwork in the state of Rajasthan. I show that, in their role in promoting regional state directives on reproductive health policies, health workers are at once agents and subjects of State policy processes and of their community’s ideologies, preferences and practices related to childbirth and reproductive care. It is in their work and embodied practice of family planning that we most clearly evidence the implications of ‘conflicted reproductive governance’. When health workers struggle for their own remuneration and recognition, the State’s rights-based health policy objectives will remain unreachable.


2021 ◽  
Vol 47 (4) ◽  
pp. 461-479
Author(s):  
Lorne Platt

This paper considers skateboarding practices in urban public spaces. Often subversive, the interactions between skateboarders and built features are also regularly captured in visual imagery in print and online. The paper documents encounters between skateboarders and the built environment using visual geographic information and photo representation. Through content analysis of imagery from Instagram posts and Thrasher magazine, the aim is to organize visual/volunteered data to represent the varied types of interactions between skateboarders and particular features of the built environment. The images suggest that skateboarders seek out structures that are typically elements within a corporate plaza or city hardscape such as stairs, rails, planters. This imagery provides large amounts of data that researchers may cull in order to improve understanding of the ways such features are experienced, and of the potential conflicts that arise when a variety of users interact. The broader significance of the research contributes to the growing body of work that positions skateboarding as a legitimate practice in urban public spaces. Scholars, practitioners of architecture, and planners, among others may continue to engage with visualization methods to consider skateboarding as an evolving, responsive, embodied practice.


2021 ◽  
Vol 17 (4) ◽  
pp. 514-523
Author(s):  
Andrew Kalyowa Kagumba

This article examines how Batwa—the Indigenous peoples of Southwestern Uganda—negotiate agency and cultural self-determination through touristic cultural performances held during the Batwa Trail, an Indigenous tourist attraction in Mgahinga Forest, Southwestern Uganda. I take a theoretical model that approaches Indigenous tourism and touristic cultural performances as a site of social interaction where identity and representation are negotiated. The touristic performances are crucial in articulating Batwa performance culture and as a forum where counter-narratives against the stereotypes and marginalities associated with Batwa culture are constructed. I argue that touristic performances are a strategic form of experiential and embodied practice through which Batwa identity is negotiated and expressed.


Aries ◽  
2021 ◽  
pp. 1-22
Author(s):  
Efram Sera-Shriar

Abstract The backbone of Victorian spirit investigations rested with the credibility of the witnesses who attended spiritualist events such as séances. But how did someone become a credible witness of spirit or psychic phenomena? What were the processes by which their testimonies became trustworthy representations of genuine experiences? This paper explores these questions by examining the visual epistemology of the scientific naturalist and sceptic John Tyndall (1820–1893), as a way of understanding the politics of constructing scientific testimony during the late Victorian period. Visual epistemology can be defined as an embodied practice of observation that moves beyond merely being the physical act of looking at things to include a range of skilled activities. Key to this paper is an attempt to challenge earlier whiggish accounts in the historiography that have perpetuated the myth that science conquered spiritualism in the nineteenth century. Instead, it exposes a more complicated narrative about Victorian science’s uneasy relationship with spirit and psychic phenomena, and raises important questions about the authority and limit of scientific naturalism.


2021 ◽  
pp. 127-146
Author(s):  
Richard B. Miller

This chapter critically examines the Materialist-Phenomenological Method for studying religion and the work of the sociologist of religion Manuel A. Vásquez. This method focuses on the study of embodied religious practices, visual cultures, vernacular idioms, and particular locales as these are studied according to historical and often ethnographic methods of analysis. The chapter interrogates Vásquez’s work More than Belief: A Materialist Theory of Religion, which proffers a “somatocentric” theory that aims to escape the legacy of Cartesian dualism. The chapter raises questions about Vásquez’s philosophical anthropology and shows how he repeats and reinforces the firewall separating the study of religion from reasons for studying it. In More than Belief, the chapter shows, one encounters the fact-value dualism that underwrites the ascetic ideal in religious studies, one so thoroughgoing that it prevents Vásquez from grasping the need to provide philosophical reasons to justify his theory.


2021 ◽  

This collection of essays brings together theories of play and game with theatre and performance to produce new understandings of the history and design of early modern English drama. Through literary analysis and embodied practice, an international team of distinguished scholars examines a wide range of games—from dicing to bowling to roleplaying to videogames—to uncover their fascinating ramifications for the stage in Shakespeare's era and our own. Foregrounding ludic elements challenges the traditional view of drama as principally mimesis, or imitation, revealing stageplays to be improvisational experiments and participatory explorations into the motive, means, and value of recreation. Delving into both canonical masterpieces and hidden gems, this innovative volume stakes a claim for play as the crucial link between games and early modern theatre, and for the early modern theatre as a critical site for unraveling the continued cultural significance and performative efficacy of gameplay today.


2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Laura Rizzuto ◽  
Phillipa Hay ◽  
Melissa Noetel ◽  
Stephen Touyz

Abstract Background There is preliminary evidence to suggest that yoga can be beneficial in reducing anxiety, depression and general eating disorder symptoms in people with Anorexia Nervosa (AN). It is unclear whether the therapeutic benefits of yoga are supported or utilised in the treatment of AN amongst clinical experts. The present study aimed to explore and synthesise expert opinion on the use of yoga as an adjunctive therapy in the management of anxiety, depression and over-exercise in individuals with AN. Methods A Delphi methodology was employed, with clinicians considered experts in the treatment of AN recruited internationally to form the panel (n = 18). The first iteration of questionnaires comprised of four open-ended questions concerning the experts’ understanding of the term yoga and opinions on its’ use in therapy generally and more specifically in the treatment of AN. Using content analysis, statements were derived from this data and included as Likert-based items in two subsequent rounds where panellists rated their level of agreement on each item. Seventeen out of 18 respondents completed all three iterations. Results Consensus (level of agreement defined at ≥ 85%) was achieved for 36.47% of the items included in the second and third rounds. The panel reached consensus on items defining yoga and pertaining to its’ general benefits. The panel agreed that yoga is a adjunct therapy for various problems, consensus was not achieved on the specific use of yoga as an adjunct therapy in the treatment of comorbid anxiety, depression or trauma in patients with AN. Although the expert panel acknowledged a number of benefits for use of yoga in AN, they strongly endorsed that future research should evaluate the potential risks of using yoga as an embodied practice. Conclusions It is possible that yoga could be considered for inclusion in future guidelines if supported by empirical research. We conclude that there seems to be enough consensus that such further scientific investigation is warranted. Plain English summary This study aimed to explore expert opinion on the use of yoga as an adjunctive therapy in the management of anxiety, depression and over-exercise in individuals with Anorexia Nervosa (AN). Clinicians considered experts in the treatment of AN recruited internationally to form the panel (n = 18). Experts were asked about their understanding of the term yoga and their opinions on its’ use in therapy. The panel reached consensus on items defining yoga and pertaining to its’ general benefits. Although the panel agreed that yoga is a nice additional therapy for various problems, consensus was not achieved on the use of yoga as an additional therapy in the treatment of specific problems like anxiety, depression or trauma in people with AN. The expert panel acknowledged a number of benefits for use of yoga in AN. However the panel strongly considered that future research should evaluate the potential risks of using yoga as an embodied practice. The areas of collective agreement gained in the study can serve as preliminary guidelines for the use of yoga in AN whilst guiding future research directions.


2021 ◽  
Vol 51 (3) ◽  
pp. 397-429
Author(s):  
Marla Carlson

In 1425, Parisians under Anglo-Burgundian rule during the Hundred Years War enjoyed the spectacle of blind men in armor attempting to club a pig to death, in the process clubbing one another. Marginal images in Oxford, Bodleian Library, MS Bodley 264, a Flemish Romance of Alexander copied and illuminated roughly eighty years earlier, closely resemble this so-called game, and a dozen cities recorded iterations beginning in the thirteenth century and continuing into the fifteenth. The repetition suggests the workings of a scenario, which performance studies theorist Diana Taylor defines as a condensation of embodied practice and knowledge reactivated in multiple times and places to transmit culture from person to living person. Reading through the Bodley 264 Romance of Alexander in order to clarify the scenario's specific function in its Parisian context, this article argues that the strategic battering of marginal beings served to transmit a hierarchically ordered culture while forcefully expelling the Armagnac faction from the hierarchy's highest rank. Within this stark example of public violence that performatively materialized political division, the bodies of pigs and blind men resonated with multiple identity categories, and the dominant group whose power and cohesion the entertainment reinforced both ignored and enjoyed their trauma.


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