Ymir, Baldr, and the Grand Narrative Arc of Mythological History

2021 ◽  
pp. 271-294
Author(s):  
Jonas Wellendor
Keyword(s):  
Author(s):  
N. Zykun ◽  
A. Bessarab ◽  
L. Ponomarenko

<p><em>The article, basing on the analysis of selected media texts with reference to narrative from the leading Ukrainian newspapers «Dzerkalo Tyzhnia» (Weekly Mirror), «Den» (Day), «Ukraina Moloda» (Young Ukraine) for 2016–2020, the semantic and content characteristics of the «narrative», «strategic narrative», «small narratives» nominations has established; the directions of the semantic realization of the meaning of the narrative and its possibilities in the process of international strategic communications aimed at both external and internal audience, are outlined. It is proved that the main task of a strategic, or national, narrative is a reasoned explanation to the state population and interested audiences of specific realities, intentions, plans; justification of certain directions of state activity aimed at partners, at opponents and those occupying a neutral position.</em></p><p><em>There are divided the spheres of use of different narratological nominations: in international communications and in scientific discourse, the conceptual foundations of state identity and international interaction are referred to as strategic narrative or grand narrative, in publicistic discourse the narrative nomination is used, more rarely – historical narrative, national narrative.</em></p><p><em>The scientific novelty of the research is that the focus is on the media aspect of the use of one of the key concepts of strategic communications and the role of the media in its implementation.</em></p><p><em>The main general scientific methods used in this article are descriptive and comparative ones, as well as analysis and synthesis. The following empirical methods were also used: solid selection method (solid selection method for allocation texts with the «narrative» lexeme; quantitative method of content analysis with elements of qualitative one – for characterizing the semantic of the «narrative» term).</em></p><p><em>The results of the study can be used in the complex research of the technology of international strategic communications and in the practical activity of specialists in international strategic communications, a new trend in Ukraine, which is currently under active institutionalization.</em></p><strong><em>Key words:</em></strong><em> international strategic communications, propaganda, narrative, strategic narrative, grand narrative, «small narratives».</em>


Author(s):  
Peter Coss

Part I of this book is an in-depth examination of the characteristics of the Tuscan aristocracy across the first two and a half centuries of the second millennium, as studied by Italian historians and others working within the Italian tradition: their origins, interests, strategies for survival and exercise of power; the structure and the several levels of aristocracy and how these interrelated; the internal dynamics and perceptions that governed aristocratic life; and the relationship to non-aristocratic sectors of society. It will look at how aristocratic society changed across this period and how far changes were internally generated as opposed to responses from external stimuli. The relationship between the aristocracy and public authority will also be examined. Part II of the book deals with England. The aim here is not a comparative study but to bring insights drawn from Tuscan history and Tuscan historiography into play in understanding the evolution of English society from around the year 1000 to around 1250. This part of the book draws on the breadth of English historiography but is also guided by the Italian experience. The book challenges the interpretative framework within which much English history of this period tends to be written—that is to say the grand narrative which revolves around Magna Carta and English exceptionalism—and seeks to avoid dangers of teleology, of idealism, and of essentialism. By offering a study of the aristocracy across a wide time-frame and with themes drawn from Italian historiography, I hope to obviate these tendencies and to appreciate the aristocracy firmly within its own contexts.


2016 ◽  
Vol 43 (1) ◽  
pp. 22-47
Author(s):  
Graham MacPhee
Keyword(s):  

2003 ◽  
Vol 36 (2) ◽  
pp. 417-437 ◽  
Author(s):  
Barbara J. Falk

This article examines the lessons "learned" and the legacies inherent in the downfall of authoritarian communism in central and eastern Europe in view of post-communism's first decade. It is argued that the events of 1989-1991 were revolutionary in dramatically and unexpectedly establishing new regimes and ushering in simultaneous and multilateral (political, economic, social, national) change. Furthermore, 1989-1991 represents a rejection of "grand narrative" large-scale social experimentation in political arrangements in favour of hybridism and incrementalism. Ten key maxims are introduced as a means of analyzing this historical rupture and understanding the variety of experiences across the region.


2019 ◽  
Vol IV (II) ◽  
pp. 78-82
Author(s):  
Mehwish Malghani ◽  
Mehwish Ali Khan ◽  
Hina Naz

Patriarchy has always been a dominant metanarrative among different societies, hence controlling all other power centered notions too. The ones affected, for instance, women started retaliating against dominance but postmodernism gave them a platform. Roqqeya Sakahwat Hussein in 1905 wrote a short story Sultanas Dream A qualitative based study, utilizing textual analysis has been done to look at Sultanas dream through the lens of Postmodernism based on Lyotards theory of Incredulity towards grand and metanarratives. The analysis shows Husseins (1905) rejection of grand narrative, i.e gender here, in her short story Sultas Dream. She presented a land where women are assigned roles based on power, logic and reasoning. They are rulers, scientists and educationists and males were not even visible in the story. They were barbarious, and bound to stay in boundaries. It is thus highlighted that Hussein (1905) has shown incredulity towards the power center and metanarrative, which is gender here.


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