Accents of the future: Jewish American popular culture

Author(s):  
Donald Weber
2012 ◽  
Vol 25 (2) ◽  
Author(s):  
Eric Shouse ◽  
Bernard Timberg

AbstractDrawing on scholars who have discussed humor's capacity to simultaneously unite and divide (Appel 1996; Mintz 1999; Meyer 2000) and on Kenneth Burke's (1969b) rhetoric of identification and division, this paper describes the rhetorical strategies Jewish-American humorists have used to respond to Christmas as a national American holiday. An examination of Jewish humor about Christmas contributes to the growing literature describing how Jewish humorists have helped shape American popular culture (Bloom 2003; Cohen 1987; Gabler 1988; Limon 2000; Zurawik 2003). In addition, our paper makes a theoretical contribution to the study of humor by expanding upon previous research that has focused on how humor creates unity and division. Specifically, we explain how humor can foster identification and division simultaneously not only between groups, but inside each of us, often resulting in partial forms of identification and division with our humorists.


2011 ◽  
Vol 55 (3) ◽  
pp. 134-143
Author(s):  
Henry Bial

“You know who else is Jewish?” is a question with a long history in American popular culture. How have contemporary forms of media distribution such as Web 2.0 changed the way American Jews ask and answer it? What does this mean for the performance of Jewish American identity?


2010 ◽  
Vol 4 (2) ◽  
pp. 123
Author(s):  
Wishnoebroto Wishnoebroto

Article presented how Jazz, as a product of American popular culture, can be very local in Indonesia. Nationalism, in this case, refers to how Indonesian jazz artists translate and create a kind of ‘dialogue’ between jazz and local Indonesian culture. The study used library research by finding what values that jazz had in order to create such dialogue, and how Indonesian nationalism could be transformed in jazz. The evolution of Jazz in Indonesia and the attitude of Indonesian jazz audience were discussed to see the position of jazz in Indonesian popular culture mainstream. It can be concluded that Jazz seems to deconstruct the common notion that music should be understood to be enjoyed. In jazz,  the irrational and sometimes absurd combination between jazz and other indigenous culture, has created a specific kinds of the music itself. Jazz in Indonesia has gone through its own cycle of evolution where the western and the eastern culture has created its own art and nobody knows the direction of jazz in the future.  


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