Gender and Society in Contemporary Brazilian Cinema. By David William Foster. (Austin: University of Texas Press, 1999. Pp. 169. Notes. Illustrations. Bibliography. Index. $14.95.)

Ambrosini, Maurizio. Irregular Migration and Invisible Welfare. Palgrave Macmillan, 2013. 256 pages (ISBN: 9781137314321).Cohen, Jeffrey H., and Ibrahim Sirkeci. Cultures of Migration: The Global Nature of Contemporary Mobility. Austin, TX: University of Texas Press, 2011. xiv + 165 pages. (ISBN: 9780292726857). Dedeoğlu, Saniye. Migrants, Work and Social Integration: Women's Labour in the Turkish Ethnic Economy, Palgrave Macmillan, 2014. 216 pages. (ISBN: 9781137371119)

Download Full-text

Israel Gershoni (ed.), Arab Responses to Fascism and Nazism: Attraction and Repulsion (Austin: University of Texas Press, 2014)). Pp 288. Hardcover. ISBN-13: 978-0-2927-5745-5

Journal of Holy Land and Palestine Studies ◽

10.3366/hlps.2015.0109 ◽

2015 ◽

Vol 14 (1) ◽

pp. 133-136

Author(s):

Tony Greenstein

Keyword(s):

University Of Texas

Download Full-text

Brazilian Cinema Today

Film Quarterly ◽

10.1525/fq.1978.31.4.04a00090 ◽

1978 ◽

Vol 31 (4) ◽

pp. 42-45

Author(s):

Randal Johnson

Keyword(s):

Brazilian Cinema

Download Full-text

Recent Brazilian Cinema: Allegory/Metacinema/Carnival

Film Quarterly ◽

10.1525/fq.1988.41.3.04a00050 ◽

1988 ◽

Vol 41 (3) ◽

pp. 15-30

Author(s):

Robert Stamm ◽

Ismail Xavier

Keyword(s):

Brazilian Cinema

Download Full-text

Pluriversal Brazil

Film Quarterly ◽

10.1525/fq.2020.74.2.67 ◽

2020 ◽

Vol 74 (2) ◽

pp. 67-76

Author(s):

Natalia Brizuela ◽

Tatiana Monassa

Keyword(s):

Production Models ◽

Brazilian Cinema ◽

Early Late

This conversation with directors Patricia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Rolon, and Julia Katharine took place over email exchanges and recorded phone conversations in the weeks between late June and early late August of 2020. In lieu of a real conversation, in person or online, all of the interviewees were sent the same set of questions, upon which they were invited to reflect. The directors were chosen because of the independent production models they work with, and because their voices, here placed side by side, portrays the sense of heterogeneity and pluriversality that today makes up Brazilian cinema.

Download Full-text