The Legionary Fortress Baths at Caerleon. Vol. I. The Buildings. Vol. II. The Finds. By J. David Zienkiewicz. 30×21 cm. Pp. 370, 112 figs., 101 pls. (inc. 3 col.); pp. 268, 90 figs., 23 pls. (inc. 2 col.). Cardiff: National Museum of Wales and Cadw: Welsh Historic Monuments, 1986. ISBN 0-7200-0307-5/-0304-0. £29.00 (single vol.), £48.00 (pair) (cased).

1987 ◽  
Vol 67 (2) ◽  
pp. 418-419
Author(s):  
D. F. Petch
Muzealnictwo ◽  
2021 ◽  
Vol 62 ◽  
pp. 220-226
Author(s):  
Roman Olkowski

Notes of a Curator at the National Museum published in 1970 in the second volume of the book Struggle for Cultural Goods is the only generally available testimony to saving the Wilanów historic monuments by Jan Morawiński, a forgotten hero from the times of WW II. Additionally priceless because of Morawiński documenting the looting of 137 paintings belonging to the pre-WW II Branicki collection at Wilanów. The above-mentioned Notes were published by the Państwowy Instytut Wydawniczy after the manuscript kept in the private archive of the author’s daughter Agnieszka Morawińska. The notes, however, resemble pieces of paper torn from a notebook in which an earlier chapter is missing. The missing chapter does exist, yet for unknown reasons was omitted in the two-volume Struggle for Cultural Goods. Warsaw 1939–1945 edited by Prof. Stanisław Lorentz. The present paper is based on Morawiński’s hand-written testimony, supported by archival sources and recollections of his colleagues from the National Museum in Warsaw (MNW). From August 1939 to August 1944, Jan Morawiński, together with others, was involved in saving precious museum exhibits in the Museum building, but also throughout Warsaw. He was involved in packing the historic monuments into crates which were to help them survive the toughest times, and he helped to put out fires at the Museum, risking his own life. Moreover, he rescued the Royal Castle collections during the hardest bombing of Warsaw, transporting them to the storages in Warsaw’s Jerozolimskie Avenue. For his dedication he was awarded the Virtuti Militari Cross of the 5th class by Gen. Juliusz Rómmel. After Warsaw’s surrender, he was assigned Head of MNW’s storerooms and inventories: when Director Lorentz was absent, he acted as his deputy. In the first period of the Nazi occupation he courageously faced German officials. Furthermore, he headed the clandestine action of inventorying and documenting German destructions and plundering. The knowledge amassed in this way was extremely helpful in the restitution of the looted historic monuments, not only museum ones. He also contributed to documenting the destruction of the Warsaw Castle. Imprisoned by the Nazis, he went through Gestapo’s hands at Daniłowiczowska Street in Warsaw. Later on, he became manager of the Museum of Old Warsaw in the Old Town, at the same time acting as a guardian of the Wilanów collection. Following the defeat of the Warsaw Uprising, he participated in the so-called Pruszków Action in whose course he was badly injured.


CounterText ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 26-32
Author(s):  
Norbert Bugeja

In this retrospective piece, the Guest Editor of the first number of CounterText (a special issue titled Postcolonial Springs) looks back at the past five years from various scholarly and personal perspectives. He places particular focus on an event that took place mid-way between the 2011 uprisings across a number of Arab countries and the moment of writing: the March 2015 terror attack on the Bardo National Museum in Tunis, which killed twenty-two people and had a profound effect on Tunisian popular consciousness and that of the post-2011 Arab nations. In this context, the author argues for a renewed perspective on memoir as at once a memorial practice and a political gesture in writing, one that exceeds concerns of genre and form to encompass an ongoing project of political re-cognition following events that continue to remap the agenda for the region. The piece makes a brief final pitch for Europe's need to re-cognise, within those modes of ‘articulacy-in-difficulty’ active on its southern borders, specific answers to its own present quandaries.


2015 ◽  
Vol 66 (2) ◽  
pp. 163-190 ◽  
Author(s):  
Richard Sharpe

In his Rhind Lectures of 1879 Joseph Anderson argued for identifying the Monymusk Reliquary, now in the National Museum of Scotland, with the Brecc Bennach, something whose custody was granted to Arbroath abbey by King William in 1211. In 2001 David H. Caldwell called this into question with good reason. Part of the argument relied on different interpretations of the word uexillum, ‘banner’, taken for a portable shrine by William Reeves and for a reliquary used as battle-standard by Anderson. It is argued here that none of this is relevant to the question. The Brecc Bennach is called a banner only as a guess at its long-forgotten nature in two late deeds. The word brecc, however, is used in the name of an extant reliquary, Brecc Máedóc, and Anderson was correct to think this provided a clue to the real nature of the Brecc Bennach. It was almost certainly a small portable reliquary, of unknown provenance but associated with St Columba. The king granted custody to the monks of Arbroath at a time when he was facing a rebellion in Ross, posing intriguing questions about his intentions towards this old Gaelic object of veneration.


Author(s):  
Melani McAlister

In October 2017, hundreds of faculty, friends, and former students gathered at the National Museum of African American History and Culture (NMAAHC) to remember James Oliver “Jim” Horton. It was a fitting gathering place. As the museum’s director, Lonnie Bunch, commented, Jim’s legacy is everywhere at the museum, from the fact that several of his former doctoral students are now curators to the foundational commitment of the museum itself: that African American history is not a local branch of US history but integral to its core. Jim always insisted in his lectures and classes and on his many TV appearances and public engagements that “American history is African American history.” 


Geo&Bio ◽  
2019 ◽  
Vol 2019 (17) ◽  
pp. 136-147
Author(s):  
Galina Anfimova ◽  
◽  
Volodymyr Grytsenko ◽  
Kateryna Derevska ◽  
Kseniia Rudenko ◽  
...  

Sign in / Sign up

Export Citation Format

Share Document