Reading Faulkner as a Chickasaw scholar can, at times, be disorienting in the juxtapositions of history, remembrance, family, and fiction; the experience itself relocates and displaces as much as it coheres a sense of the past or of a place. Mired in the scenes of settlement, Faulkner’s world-building helped set into motion contradictory and cacophonous discourses of blackness, whiteness, and indigeneity in the American South, and in doing so, provided the imaginative terrains through which we continue think about the intersections of slavery and colonialism. Taking up Absalom, Absalom! alongside critical work in indigenous studies, black feminism, and queer of color critique, this chapter will consider how indigeneity interrupts the temporalities and spatialities that are often taken for granted in how we understand the South as prologue for race in America.
