Svetlana Savranskaya, Thomas Blanton and Vladislav Zubok (eds.), Masterpieces of History: The Peaceful End of the Cold War in Europe, 1989 (Budapest: Central European University Press, 2010, $75.00/€55.00/£50.00). Pp. 730. isbn978 963 9776 77 7.

2012 ◽  
Vol 46 (4) ◽  
Author(s):  
SARAH SNYDER
2004 ◽  
Vol 13 (4) ◽  
pp. 529-536
Author(s):  
ROUMEN DASKALOV

Neven Andjelić, Bosnia-Herzegovina. The End of a Tragedy (London: Frank Cass, 2003), 228 pp., $34.95 (pb), ISBN 0-7146-8431-7.Tom Gallagher, The Balkans after the Cold War. From Tyranny to Tragedy (London and New York: Routledge, 2003), 256 pp., $114.95 (hb), ISBN 0-415-27763-9.John Lampe and Mark Mazower, eds., Ideologies and National Identities. The Case of Twentieth-Century Southeastern Europe (Budapest and New York: Central European University Press, 2004), 309 pp., $23.95 (pb), ISBN 9639241822.James Pettifer, ed., The New Macedonian Question (Basingstoke and New York: Palgrave and St. Martin's Press, 1999), 311 pp., $24.95 (pb), ISBN 0-333-92066-X.Michael Parenti, To Kill a Nation. The Attack on Yugoslavia (London and New York: Verso, 2000), 246 pp., $10.00 (pb), ISBN 1-85984-366-2.Maria Todorova, ed., Balkan Identities: Nation and Memory (London: Hurst & Co., 2004), 374 pp., £17.50 (pb), ISBN 1-850-65715-7.Emerging from the obscurity of old-fashioned, specialised ‘area studies’, since 1989 the Balkans have attracted much attention from historians. The primary reason for that has been, tragically, the war in Yugoslavia and the emergence of a postwar order. Even the post-communist transitions (in Romania, Bulgaria and Albania) attracted less attention. Nevertheless, the field benefited substantially from the increased interest in the area, and lively debates took place on contested issues, sparked not least by hasty initial schemata (and stigmata) used by outside observers, such as ‘ancient hatreds’ and the like. Parallel to the attention paid to what was going on in Yugoslavia, and perhaps more productively in the long run, was the postmodern, postcolonial approach to Balkan history, inspired by Maria Todorova's Imagining the Balkans, which followed Edward Said's monumental Orientalism and appeared parallel to Larry Wolff's Inventing Eastern Europe. Such refreshing studies of Western representations of the region were later complemented by the internal perspective of how such representations were received, and coped with, in the region. A profusion of ‘cultural studies’ in the broadest sense followed, reflecting both the ongoing reshaping of Balkan identities and outside demand for such studies.


2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Carlos Reijnen

Émigré periodicals in Cold War Europe have long been considered isolated islands of Central and East European communities with limited relevance. In the second half of the Cold War, some of these periodicals functioned as crucial intersections of communication between dissidents, emigrants and Western European intellectuals. These periodicals were the greenhouses for the development of new definitions of Central Europe, Eastern Europe, and Europe at large. This article studies Cold War émigré periodicals from a spatial perspective and argues that they can be analysed as European cultural spaces. In this approach, European cultural spaces are seen as insular components of a European public sphere. The particular settings (spaces) within which the periodicals developed have contributed greatly to the ideas that they expressed. The specific limits and functions of periodicals such as Kultura or Svědectví [Testimony] have triggered perceptions of Central European and European solidarity. The originally Russian periodical Kontinent promoted an eventually less successful East European-Russian solidarity.  


2019 ◽  
Vol 55 (4) ◽  
pp. 479-493
Author(s):  
Kaitlyn Tucker Sorenson

Abstract This article explores and analyses several remarkable parallels between two unique cultural spaces, namely, that of the Korčula Summer School and that of the Kurorte – the Grand Spas of Central Europe. Though distinct from one another with respect to their historical as well as topographical locations within Europe, it is as cultural spaces that the two share their least apparent – but perhaps most significant – points of affinity. Just as Baden-Baden had served as the ‘summer capital of Europe’ for one set of cultural elites across political, linguistic and national boundaries, so did Korčula offer a space for cultural and intellectual exchange for philosophers from both sides of the Cold War. The article demonstrates how both of these spaces were marked by their shared internationalism, their political engagement, their privilege, their respective distance from daily social orders, and their intellectual intensity. Thus, it is suggested that Central-European Kurort culture – commonly considered a belle-époque phenomenon – did indeed survive the Great Wars, and found new expressions in a post-war, socialist context.


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