Science and imagery in the ‘war on old age’

2007 ◽  
Vol 27 (6) ◽  
pp. 941-961 ◽  
Author(s):  
JOHN A. VINCENT

ABSTRACTSeveral professional groups present themselves as ‘waging war’ on old age. They construct old age as a naturalised, self-evidently negative, biological phenomenon, which must be attacked and defeated. These groups make different claims to technical expertise and their ability to control natural phenomena, and use different weapons to defeat ageing. There are those who focus on cosmetic interventions, that is, the control of the body and the removal or masking of the signs of ageing. There are those who equate old age with ill-health and identify themselves as warriors in a battle with disease, and others whose objective is to understand the fundamental intra-cellular processes of ageing and what controls the human life span, and then to extend its limits. A fourth group aims to make human immortality possible. Examination of the language and symbolic practices of these groups reveals that they share a dominant cultural view that devalues old age and older people. The use of military metaphors to describe the importance and difficulties of their task is most prolific among the first and fourth of these groups. The second and third groups disguise a contradiction in their aim of understanding the diseases and disorders of old age by advocating the goal of an extended ‘healthy life span’, which avoids having to confront the moral dilemmas of extending the lifespan for its own sake.

2020 ◽  
Vol 99 (1) ◽  
pp. 236-262 ◽  
Author(s):  
Manon Edde ◽  
Gaëlle Leroux ◽  
Ellemarije Altena ◽  
Sandra Chanraud

2012 ◽  
Vol 419 (2) ◽  
pp. 309-315 ◽  
Author(s):  
Tina Fuchs ◽  
Kerstin Püellmann ◽  
Olivia Scharfenstein ◽  
Romy Eichner ◽  
Elfi Stobe ◽  
...  

Author(s):  
Igor Tantlevskij

Analyzing the famous passage Eccl. 12:5b–7, the author of the article comes to the conclusion that the expression "the almond tree blossomed" (12:5bα) contains the allegory of man’s birth and his young years; the phrase "the locust/locust tree became loaded" (12:5bβ) can be interpreted as an indication of the mature, productive/fruitful years of human life activity; the allegory of the caper, falling to winter ("and the caper bush fell"; 12:5bγ), correlates with the metaphorical description of old age and the approach of death in Eccl. 12:1b–2. So, one can assume that the passage Eccl. 12:5bα–γ includes the allegories of man's earthly birth, making up of his personality, maturity and old age in the form of natural phenomena that take place in Judea throughout the year — approximately from the second half of January to December. The allegory of the breaking "silver cord" (Eccl. 12:6aα), symbolizing the earthly demise, can be understood as a break in the connection between the spirit and the flesh of man (cf.: Eccl. 12:7). In 12:6аβ–b, Ecclesiastes adduces the allegories of death, expressed through the broken vessels ("golden bowl", "jar", a certain "vessel"), symbolizing the human body. The context also suggests that an allusion to the human spirit implicitly present in these allegories as well, which is symbolized by olive oil (in the "golden bowl") and water (in the "jar" and in the "vessel"), – not directly called, but contextually implied – returning to their eternal Fountain (cf.: Jer. 2:13, 17:13, also: Ps. 36:10) when their temporary receptacles are broken. The "spring" and the "well" (Eccl. 12:6b) are veritable symbols of life, and in the light of Eccl. 12:7b – perhaps symbols of eternal life in the Book of Ecclesiastes. As for the allegory of "the golden bowl", it clearly goes back to Zech. 4:2–3. In the light of the allegorical picture attested in Zech., chap. 4, and the text of Eccl. 12:7b, the allegory of Eccl. 12:6aβ – "the golden bowl will crack" – can presuppose implicitly not only the death of the body/"the golden bowl", but also that its contents – "oil", symbolizing the spirit abided in the body – will merge with the "oil" of the Divine Luminary, scil., with the Spirit of God.


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