More Books - The Grand Union: Accidental Anarchists of Downtown Dance, 1970–1976. By Wendy Perron. Middletown, CT: Wesleyan University Press, 2020; 379 pp.; illustrations. $85.00 hardcover, $27.95 paper, e-book available. - Performing Commedia dell’Arte, 1570–1630. By Natalie Crohn Schmitt. London and New York: Routledge, 2020; 120 pp.; illustrations. $59.95 cloth, e-book available. - Performing Ice. Edited by Carolyn Philpott, Elizabeth Leane, and Matt Delbridge. London: Palgrave Macmillan, 2020; 238 pp.; illustrations. $119.99 cloth, e-book available. - Contemporary Art, Photography, and the Politics of Citizenship. By Vered Maimon. London: Routledge, 2021; 168 pp.; illustrations. $160.00 cloth, e-book available. - Corporeal Politics: Dancing East Asia. Edited by Katherine Mezur and Emily Wilcox. Ann Arbor: University of Michigan Press, 2020; 372 pp.; illustrations. $80.00 cloth, $39.95 paper, e-book available.

2021 ◽  
Vol 65 (4) ◽  
pp. 193-195
Author(s):  
Cristina Tadeo
Keyword(s):  
New York ◽  
East Asia ◽  
Contemporary Art ◽  
Commedia Dell'arte ◽  
University Of Michigan ◽  
Ann Arbor ◽  
Art Photography

Corporeal Politics: Dancing East Asia, Katherine Mezur and Emily Wilcox (eds) (2020)

2021 ◽  
Vol 12 (1) ◽  
pp. 101-104
Author(s):  
Casey Avaunt
Keyword(s):  
East Asia ◽  
University Of Michigan ◽  
Ann Arbor

Review of: Corporeal Politics: Dancing East Asia, Katherine Mezur and Emily Wilcox (eds) (2020) Ann Arbor, MI: University of Michigan Press, 355 pp., ISBN 978-0-47207-455-6, p/bk, $39.95

Book Reviews

2016 ◽  
Vol 34 (2) ◽  
pp. 84-105
Author(s):  
Klaus Berghahn ◽  
Russell Dalton ◽  
Jason Verber ◽  
Robert Tobin ◽  
Beverly Crawford ◽  
...  
Keyword(s):  
New York ◽  
University Of Michigan ◽  
New York University ◽  
Contemporary Culture ◽  
Oxford University ◽  
German Colonialism ◽  
The Holocaust ◽  
Ann Arbor ◽  
East German ◽  
Nazi Past

Michael J. Bazyler and Frank M. Tuerkheimer, Forgotten Trials of the Holocaust (New York: New York University Press, 2014) - Reviewed by Klaus BerghahnMary Fulbrook and Andrew Port, eds. Becoming East German: Socialist Structures and Sensibilities after Hitler (New York: Berghahn Press, 2013) - Reviewed by Russell DaltonNina Berman, Klaus Mühlhahn, and Patrice Nganang, ed. German Colonialism Revisited: African, Asian, and Oceanic Experiences (Ann Arbor: University of Michigan Press, 2014) - Reviewed by Jason VerberAndrew Wackerfuss, Stormtrooper Families: Homosexuality and Community in the Early Nazi Movement (New York: Harrington Park Press, 2015) - Reviewed by Robert TobinHans Kundnani, The Paradox of German Power (Oxford: Oxford University Press, 2014) - Reviewed by Beverly CrawfordGavriel D. Rosenfeld, Hi Hitler! How the Nazi Past is Being Normalized in Contemporary Culture (Cambridge: Cambridge University Press, 2015) - Reviewed by Jeffrey Luppes

Book Reviews

2000 ◽  
Vol 18 (3) ◽  
pp. 157-170
Author(s):  
Laurence McFalls ◽  
Jeffrey J. Anderson ◽  
Vanessa Beck
Keyword(s):  
New York ◽  
Economic Development ◽  
German Unification ◽  
University Of Michigan ◽  
Ann Arbor ◽  
Duke University

Jennifer A. Yoder, From East Germans to Germans? The New Postcommunist Elitesn(Durham: Duke University Press, 1999)Review by Laurence McFallsHölscher, Jens and Anja Hochberg, eds., East Germany’s Economic Development Since Unification: Domestic and Global Aspects (New York: St. Martin’s Press, 1998)Review by Jeffrey J. AndersonBrigitte Young, Triumph of the Fatherland. German Unification and the Marginalization of Women (Ann Arbor: University of Michigan Press, 1999) Review by Vanessa Beck

Margaret Webster: A Life in the Theater. By Milly S. Barranger. Ann Arbor, MI: University of Michigan Press, 2004; pp. 388; 18 illus. $39.50 cloth.

2005 ◽  
Vol 46 (2) ◽  
pp. 337-339
Author(s):  
Ellen Donkin
Keyword(s):  
New York ◽  
University Of Michigan ◽  
Feminist Theatre ◽  
Ann Arbor ◽  
Lifelong Partner

Margaret Webster's struggles and triumphs as a professional director in New York and London are not cited by theatre historians—especially feminist theatre historians—as often as they should be. Before her death in 1972, she had become the first woman director ever to work on Broadway, founded the American Repertory Theatre with her lifelong partner and colleague Eva Le Gallienne, directed a groundbreaking production of Othello with Paul Robeson in 1942, faced Joe McCarthy and the House Un-American Activities Committee, and she had published several wonderful books about theatre (the best known are Shakespeare Without Tears, The Same Only Different, and Don't Put Your Daughter on the Stage).

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