Carbon Dating the Shroud of Turin

Author(s):  
Garman Harbottle ◽  
Walden Heino
Radiocarbon ◽  
1990 ◽  
Vol 32 (1) ◽  
pp. 87-92 ◽  
Author(s):  
H E Gove

An assessment is made of the credibility of the radiocarbon dating of the shroud of Turin. The quoted final results produced a calibrated calendar age range of AD 1260–1390 for the linen of the Turin shroud at a 95% confidence level. The measurements were carried out independently in three accelerator mass spectrometry (AMS) laboratories located at the University of Arizona, Tucson, Arizona, USA, Oxford University, Oxford, England, and ETH-Hönggerberg, Zürich, Switzerland with assistance for certification and data analysis provided by the British Museum. The author concludes that, although the procedures followed differed substantially from those recommended at a workshop organized by the Pontifical Academy of Sciences, the results are credible. Although of negligible scientific value, they represent a major public triumph for the AMS method of carbon dating. However, many doubts have been raised, both real and fanciful, concerning the validity of the results and these are discussed. It is suggested that steps should be taken to conserve the shroud and that permission should be given for its examination by experts in medieval art.


2012 ◽  
Vol 23 (4) ◽  
pp. 551-561 ◽  
Author(s):  
Marco Riani ◽  
Anthony C. Atkinson ◽  
Giulio Fanti ◽  
Fabio Crosilla

Nature ◽  
2005 ◽  
Author(s):  
Roxanne Khamsi
Keyword(s):  

1980 ◽  
Vol 92 (1) ◽  
pp. 13-16
Author(s):  
Rabbi Dan Cohn-Sherbok
Keyword(s):  

1982 ◽  
Vol 135 (1) ◽  
pp. 3-49 ◽  
Author(s):  
L.A. Schwalbe ◽  
R.N. Rogers
Keyword(s):  

1997 ◽  
Vol 9 (1) ◽  
pp. 121-140
Author(s):  
Thaddeus J. Trenn ◽  

The Shroud of Turin, a linen cloth with but a faint image, continues to capture the interest of many people of diverse beliefs. Although the measured age of the cloth is relatively recent, other scientific findings indicate an earlier provenance. Any firm conclusions regarding the cloth's history remain premature. No satisfactory explanation has been found as yet for how the image on the cloth was produced structurally or stylistically. Iconographic evidence suggests that the image was the source of facial peculiarities found in early works of religious art. The body image bears a striking yet preternatural correlation with Scriptural accounts of wounds. Curiously, the image on the cloth functions as a photographic negative, exhibiting a high degree of resolution, as if the original were produced in pixels. Despite serious efforts to discover some artistic origin md medium, scientific evidence points in the direction that it was not produced by hands. If it is tme that the medium is the message, as Marshall McLuhan wrote, then the Turin Shroud may be a parable for the modern age.


2015 ◽  
pp. 154-178
Author(s):  
Peter Hancock
Keyword(s):  

2015 ◽  
Vol 3 (1) ◽  
pp. 37
Author(s):  
Josep Fernandez-Capo
Keyword(s):  

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