Possible modifications in our educational work likely to come as a result of the great war

1916 ◽  
Author(s):  
James E. Russell
2016 ◽  
Vol 10 (2) ◽  
pp. 487
Author(s):  
Tomislav M. Pavlović

Rupert Brooke (1887-1915) embodies the myth of the Great War but after his sudden death his war poems tended to be disapproved of. His pre war Georgian lines are also dismissed on account of their effete pestoralism and alleged escapism. It seemed as if both the critics and the audience simply failed to understand the subtext of his poems that reveals a magnificent spiritual pilgrimage undertaken by a poet in the age of anxiety. In search of the calm point of his tumultuous universe Brook varies different symbolic patterns and groups of symbols thus disclosing the lasting change of his poetic sensibility that range from purely pagan denial of urban values and the unrestrained blasphemy up to the true Christian piety. Our analysis affirms him the true modernist poet, a cosmopolitan mind, always apt to accumulate new experiences and it is certain that his work will be seen in quite a new light in the decades to come.


2019 ◽  
pp. 97-114
Author(s):  
Jeffrey Magee

Irving Berlin’s all-soldier World War I revue, Yip Yip Yaphank, made a unique impact on Broadway in 1918 and in Berlin’s work for decades to come. The show forged a compelling and comic connection between theatrical conventions and military protocols, using elements from minstrelsy, the Ziegfeld Follies, and Berlin’s distinctive songs. Featuring such Berlin standards as “Sterling Silver Moon” (later revised as “Mandy”) and “Oh! How I Hate to Get Up in the Morning,” it was revised for World War II as This Is the Army, and scenes from it reappear, transformed, in Berlin’s films Alexander’s Ragtime Band and White Christmas.


2019 ◽  
Vol 62 (4 (463)) ◽  
pp. 9-21
Author(s):  
Benedikts Kalnačs

The article focuses on the representation of the year 1918 in Latvian literature. On November 18, the independent Republic of Latvia was proclaimed, and in the years to come international recognition of the state’s sovereignty followed. In retrospect, this event stimulated a number of salutary descriptions and interpretations and certainly provides a milestone in the history of the Latvian nation. It is, however, also important to discuss the proclamation of independence in the context of the Great War that brought a lot of suffering to the inhabitants of Latvia. Therefore, a critical evaluation of the events preceding the year 1918 is certainly worthy of discussion. The article first sketches the historical and geopolitical contexts of the period immediately before and during the Great War as well as the changed situation in its aftermath. This introduction is followed by a discussion of the novel 18 (2014) by the contemporary Latvian author Pauls Bankovskis (b. 1973) that provides a critical retrospective of the events leading to the proclamation of the nation state from a twenty-first century perspective. Bankovskis employs an intertextual approach, engaging with a number of earlier publications dealing with the same topic. Among the authors included are Anna Brigadere, Aleksandrs Grīns, Sergejs Staprāns, Mariss Vētra, and others. The paper contextualizes the contribution of these writers within the larger historical picture of the Great War and the formation of the nation states and speculates on the contemporary relevance of the representation of direct experience, and the use of written sources related to these events.


2021 ◽  
pp. 135-142
Author(s):  
Agnes Strickland-Pajtok

The aim of this article is to examine the ambivalent attitudes of the British-Hungarian popular writer Baroness Emma Orczy towards involvement in the Great War. In the 1910s Orczy participated in British military recruitment drives, whilst also maintaining cultural ties with her homeland of Hungary. The questions this study attempts to answer are: what kind of strategies of identification did Orczy employ in order to come to terms with supporting both the Allies and the Central Powers? And: whether through her contrasting stances the operation of a hybrid identity can be captured.


1969 ◽  
Vol 12 (1) ◽  
pp. 137-154 ◽  
Author(s):  
H. J. Elcock

At the Paris Peace Conference of 1919 the Polish state was reconstituted as a result of the German defeat in the Great War, and the break-up of the Austro-Hungarian and Russian Empires. In the years that followed, Poland refused to come to terms with her neighbours and sought a guarantee for her future safety in a close attachment to Britain and France; a course of action which ultimately led to renewed subjugation, under the hand of each of her neighbours in turn. It is with the first years of this course that we are here concerned.


2020 ◽  
Author(s):  
Jay Winter ◽  
Antoine Prost
Keyword(s):  

1917 ◽  
Vol 14 (11) ◽  
pp. 397-397
Author(s):  
Charles A. Ellwood
Keyword(s):  

1919 ◽  
Vol 10 (3) ◽  
pp. 176-176
Author(s):  
No authorship indicated

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