Finnish Film Style in the Silent Era

2016 ◽  
pp. 51-80
Author(s):  
Jaakko Seppälä
Keyword(s):  
1988 ◽  
Vol 42 (1) ◽  
pp. 58-58
Author(s):  
Ernest Callenbach
Keyword(s):  

1999 ◽  
Vol 52 (4) ◽  
pp. 55-57
Author(s):  
John Belton
Keyword(s):  

Author(s):  
Steven Cohan

The introduction provides the theoretical argument of the book. It explains why the backstudio picture is not a cycle but a genre in its own right, and how the genre depicts Hollywood as a geographic place in Los Angeles, as an industry, and as a symbol. It goes on to show how the backstudio picture has historically served to brand the motion picture industry as “Hollywood,” working in much the same way as consumer brands do today. Additionally, the introduction provides a historical overview of the genre, focusing on its four major cycles of production, from the silent era to the present day. Finally, it briefly describes the content of the seven chapters.


Author(s):  
Kathryn Kalinak

This chapterexamines the diversity of international practices in film music outside Hollywood during the silent film era. It describes performance practices around the globe and offers a broader context in which to consider American practices during this period. It suggests that music functioned as a cultural interface throughout the silent era in a way quite different from the sound era and that music in the silent era had an impressive power to interact with moving images in ways not controlled by films or their producers.


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