Perceived Rigidity and Nonrigidity in the Kinetic Depth Effect

Perception ◽  
1993 ◽  
Vol 22 (1) ◽  
pp. 23-34 ◽  
Author(s):  
Giorgio Ganis ◽  
Clara Casco ◽  
Sergio Roncato

Stroboscopic simulations of three-dimensional rotating rigid structures can be perceived as highly nonrigid. To investigate this nonrigidity effect a sequence of either three (experiment 2 and 3) or thirty six frames (experiment 4) was used, each consisting of a set of dots with location on the horizontal axis corresponding to the parallel projection of a nominally defined helix. Observers were asked to judge the angle of rotation of eighty helices defined by the factorial combination of eight phase (φ) values (ie difference between the sinusoidal path of one dot and its neighbours) and ten different angular displacement values (α). When in each static frame the dots can be organized into curved dotted line (small values of φ), the perceived 3-D helices are highly nonrigid. But when shape information is not available in each static frame (high values of φ), the helices are perceived as rigid and rotation judgement is possible providing that α < 15°. It appears that at small values of φ observers fail to recover the rigid structure of the helices since the input to the structure from the motion process may be distorted.

1979 ◽  
Vol 48 (3_suppl) ◽  
pp. 1315-1319
Author(s):  
Bert A. Lucas ◽  
James S. Taylor

To perceive the three-dimensional rotation of a shadow figure, displacement and line length change are required. Without displacement, persons perceive a line lengthening and shortening on a two-dimensional plane. The present investigation attempted to create the kinetic depth effect without displacement by including auditory input. 48 persons were randomly assigned to two groups (line-length change with tone or line-length change without tone). The tone group received sound through headphones which oscillated in amplitude in synchrony with the shadow of a rotating “T” figure. The tone group perceived a three-dimensional figure in rotation significantly more often than did the non-tone group. These results suggest that the kinetic depth effect may be created by more than one combination of sensory input.


1989 ◽  
Vol 60 (6) ◽  
Author(s):  
J. Aloimonos ◽  
C.M. Brown

1982 ◽  
Vol 31 (5) ◽  
pp. 437-445 ◽  
Author(s):  
Terry Caelli ◽  
Patrick Flanagan ◽  
Stephen Green

Author(s):  
George Sperling ◽  
Michael S. Landy ◽  
Barbara A. Dosher ◽  
Mark E. Perkins

1991 ◽  
Vol 31 (5) ◽  
pp. 859-876 ◽  
Author(s):  
Michael S. Landy ◽  
Barbara A. Dosher ◽  
George Sperling ◽  
Mark E. Perkins

1994 ◽  
Vol 78 (3_suppl) ◽  
pp. 1385-1386 ◽  
Author(s):  
Willard L. Brigner ◽  
James R. Deni ◽  
Lora Lee Hildreth

A computer-generated configuration of three lines joined like hands on a clockface were perceived by 10 of 12 observers as having depth when the lines simultaneously changed in length and direction, thereby supporting Wallach, Adams, and Weisz's 1956 hypothesis regarding the necessary and sufficient conditions for a perceived kinetic depth effect


1953 ◽  
Vol 45 (4) ◽  
pp. 205-217 ◽  
Author(s):  
Hans Wallach ◽  
D. N. O'Connell

Perception ◽  
1986 ◽  
Vol 15 (5) ◽  
pp. 619-625 ◽  
Author(s):  
Kvetoslav Prazdny

Experiments are reported which show that three-dimensional structure can be perceived from two-dimensional image motions carried by objects defined solely by the differences in binocular and/or temporal correlation (ie disparity or motion discontinuities). This demonstrates that the kinetic depth effect is independent of motion detection in the luminance domain and that its relevant input comes from detectors based on some form of identity preservation of objects or features over time, ie the long-range processes of apparent motion.


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