christine mitchell havelock,Hellenistic Art. The Art of the Classical World from the Death of Alexander the Great to the Battle of Actium

1972 ◽  
Vol 54 (3) ◽  
pp. 341-342
Author(s):  
Brunilde Sismondo Ridgway
2021 ◽  
Vol 60 (3-4) ◽  
pp. 229-240

Abstract This work focuses on the analysis of a series of famous episodes that underline the prodigious birth and the exceptional destiny of Alexander the Great. First, the article examines the accounts of the Macedonian king's conception, due to the union of his mother Olympias with the king/magician Nectanebo, or with a snake, or with the god Ammon – depending on the different versions. Subsequently, the stories of the oracles foretelling Alexander's domination over the world and the premonitions that mark his rise to power are analyzed. Finally, the death omens are also taken into account. Summing up, this study deals with the elements related to Alexander's mythology and the reasons why the literary sources of the classical world present him as a being halfway between human and divine.


Antiquity ◽  
2006 ◽  
Vol 80 (310) ◽  
pp. 1034-1035
Author(s):  
Madeleine Hummler

2022 ◽  
Vol 21 ◽  
pp. 121-140
Author(s):  
Anna Ayse Akasoy

Histories of Arabic and Islamic philosophy tend to focus on texts which are systematic in nature and conventionally classified as philosophy or related scholarly disciplines. Philosophical principles, however, are also defining features of texts associated with other genres. Within the larger field of philosophy, this might be especially true of ethics and within the larger body of literature this might be especially the case for stories. Indeed, it is sometimes argued that the very purpose of storytelling is to reinforce and disseminate moral conventions. Likewise, the moral philosopher can be conceptualized as a homo narrans.The aim of this contribution is to apply the approach to narratives as a mode of debating ethical or moral principles to biographies of Alexander the Great. More than any other figure of the classical world, Alexander was religiously validated in the Islamic tradition due to his quasi-prophetic status as the ‘man with the two horns’ in the Qur’an. He appears prominently in the larger orbit of Arabic and Islamic philosophy as interlocutor and disciple of Aristotle and is adduced anecdotally in philosophical literature as an example to teach larger lessons of life. As a world conqueror, he provided an attractive model for those who sought to reconcile philosophical insight with worldly ambition.Focusing on biographies of Alexander, this article explores ethical principles which are inscribed in this body of literature and thus reads the texts as a narrativized form of philosophy. The analysis is comparative in two ways. Biographies of different periods and regions of the Islamicate world will be discussed, but comparisons with pre-Islamic biographies of Alexander (notably Roman biographies and the Alexander Romance) are included as well.


Art Journal ◽  
1972 ◽  
Vol 32 (2) ◽  
pp. 236
Author(s):  
Seymour Howard ◽  
Christine Mitchell Havelock

1972 ◽  
Vol 54 (3) ◽  
pp. 341
Author(s):  
Brunilde Sismondo Ridgway ◽  
Christine Mitchell Havelock

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