The last Byzantines: perceptions of identity, culture, and heritage in Serbia

2016 ◽  
Vol 44 (3) ◽  
pp. 430-455 ◽  
Author(s):  
Bratislav Pantelić

Focusing on material culture, this article considers a range of issues concerning the cultural policies, ideologies, and identities that have underlain Serbian development since the Middle Ages, and tests some widely held yet previously uncontested views. In particular it questions the Serbs' perceived affiliation with the Byzantine Empire and challenges the view that this affiliation was so pervasive that it influenced Serbian development and national formation in the modern age. It is argued that Byzantium had little if any role in the Serbs' cultural development - neither in historical memories nor in surviving traditions. Serbia's Byzantine culture is largely a myth developed in the 1930s by the Serbian clergy as a corollary of the Russian-inspired Svetosavlje ideology. This myth was meant to dislocate Serbia's cultural identity from its secular European sources and reposition it closer to Orthodox Russia.

1964 ◽  
Vol 58 (1) ◽  
pp. 23-35 ◽  
Author(s):  
Hans J. Morgenthau

The nuclear age has ushered in a novel period of history, as distinct from the age that preceded it as the modern age has been from the Middle Ages or the Middle Ages have been from antiquity. Yet while our conditions of life have drastically changed under the impact of the nuclear age, we still live in our thoughts and act through our institutions in an age that has passed. There exists, then, a gap between what we think about our social, political, and philosophic problems and the objective conditions which the nuclear age has created.This contradiction between our modes of thought and action, belonging to an age that has passed, and the objective conditions of our existence has engendered four paradoxes in our nuclear strategy: the commitment to the use of force, nuclear or otherwise, paralyzed by the fear of having to use it; the search for a nuclear strategy which would avoid the predictable consequences of nuclear war; the pursuit of a nuclear armaments race joined with attempts to stop it; the pursuit of an alliance policy which the availability of nuclear weapons has rendered obsolete. All these paradoxes result from the contrast between traditional attitudes and the possibility of nuclear war and from the fruitless attempts to reconcile the two.


2000 ◽  
Vol 28 (1) ◽  
pp. 93-128 ◽  
Author(s):  
David M. Crowe

The Roma entered the Balkans from India during the Middle Ages. They reached Persia sometime in the ninth century and by the eleventh century had moved into the Byzantine Empire. According to the eleventh-century Georgian Life of Saint George the Athonite, the Emperor Constantine Monomachus asked the Adsincani to get rid of wild animals preying on the animals in his royal hunting preserve. Adsincani is the Georgian form of the Greek word Atsínganoi or Atzínganoi, from which the non-English terms for Roma (cigán, cigány, tsiganes, zigeuner) are derived. Adsincani means “ner-do-well fortune tellers” or “ventriloquists and wizards who are inspired satanically and pretend to predict the unknown.” “Gypsy” comes from “Egyptian,” a term often used by early modern chroniclers in the Balkans to refer to the Roma. Because of the stereotypes and prejudice that surround the word “Gypsy,” the Roma prefer a name of their own choosing from their language, Romani. Today, it is preferable to refer to the Gypsies as Rom or “Roma,” a Romani word meaning “man” or “husband.” Byzantine references to “Egyptians” crop up during this period as Byzantine political and territorial fortunes gave way to the region's new power, the Ottomans. There were areas with large Roma populations in Cyprus and Greece which local rulers dubbed “Little Egypt” in the late fourteenth century.


Author(s):  
Giorgio Agamben

This chapter seeks to define the experience of Eros. It first dismisses the modern conceptions of adventure, which run the risk of obstructing our access to the original meaning of the term. The end of the Middle Ages and the beginning of the modern age in fact coincide with an obscuration and devaluation of adventure. The chapter argues that such a line of thinking is a misunderstanding of the medieval intention: not only does adventure never remain external to the knight who is living it, but, even with respect to the poet, it turns out to be so far from contingent that it instead penetrates his heart and is identified with the very text he is writing.


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