Emily’s Mysterious Planet in The Mysteries of Udolpho

Author(s):  
David Scott-Macnab
1972 ◽  
Vol 19 (8) ◽  
pp. 287-289
Author(s):  
DEREK ROPER

ELH ◽  
1998 ◽  
Vol 65 (1) ◽  
pp. 159-186 ◽  
Author(s):  
Margaret Russet

PMLA ◽  
1921 ◽  
Vol 36 (1) ◽  
pp. 104-118
Author(s):  
Martha Hale Shackford

That Keats in The Eve of St. Agnes was possibly indebted to Mrs. Radcliffe's The Mysteries of Udolpho was suggested to me by my colleague, Professor Margaret Sherwood, who pointed out several signs of relationship between the two works. Since that time I have made some study of the problem, and record the following observations. No attempt is here made to discuss the question raised by President MacCracken of Keats's obligation to Boccaccio's Filocolo, since it is not possible to reach final conclusions in regard to the matter without making a systematic study of the relationship of the Eve of St. Agnes to Floris and Blancheflur, Filocolo, Romeus and Juliet, Romeo and Juliet, The Mysteries of Udolpho, and Christabel.


Author(s):  
Ann Radcliffe

The Romance of the Forest (1791) heralded an enormous surge in the popularity of Gothic novels, in a decade that included Ann Radcliffe’s later works, The Mysteries of Udolpho and The Italian. Set in Roman Catholic Europe of violent passions and extreme oppression, the novel follows the fate of its heroine Adeline, who is mysteriously placed under the protection of a family fleeing Paris for debt. They take refuge in a ruined abbey in south-eastern France, where sinister relics of the past - a skeleton, a manuscript, and a rusty dagger - are discovered in concealed rooms. Adeline finds herself at the mercy of the abbey’s proprietor, a libidinous Marquis whose attentions finally force her to contemplate escape to distant regions. Rich in allusions to aesthetic theory and to travel literature, The Romance of the Forest is also concerned with current philosophical debate and examines systems of thought central to the intellectual life of late eighteenth-century Europe.


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