Palestinian Bereaved Mothers of Martyrs: Religious and National Discourses of Sacrifice and Bereavement

2021 ◽  
pp. 1-11
Author(s):  
Bilal Hamamra
Keyword(s):  
2010 ◽  
Vol 2 (3) ◽  
pp. 423-450 ◽  
Author(s):  
Stefan Seidendorf

A comparison of two referendum campaigns on Europe in France and Ireland shows two different patterns of mobilisation. Focusing on the perceived influence of the European treaties on national legislation on abortion, two different types of Euro-scepticism can be discerned. One is settled in a potentially universal project of ‘enlightenment’ (fearing the ‘criminalisation’ of abortion due to EU (European Union) regulations), the other is concerned with the defence of the nation’s democratic sovereignty against the EU (and fears ‘liberalisation’ of abortion due to the same EU regulations). A discourse analysis of these two different settings establishes the ‘discursive dynamics’ of each campaign: How were actors constituted (into ‘legitimate’ actors) and how could the (differing) interpretations of EU treaty provisions become plausible and constitute into different national discourses? Instead of perceiving social variables (norms, rules, identities) as ‘independent’ factors that explain outcomes, the social process of their constitution is at the centre of this analysis. Understanding how and when certain actors and certain topics (or problematiques) come into being (are ‘constituted’) may, in turn, allow some ‘reasoned claims’ on the character of popular Euro-scepticism.


2010 ◽  
Vol 9 (3) ◽  
pp. 364-392 ◽  
Author(s):  
Karin Bischof ◽  
Florian Oberhuber ◽  
Karin Stögner

This article presents results from a qualitative analysis of religious and gender-specific ‘othering’ in Austrian and French media discourse on Turkey’s accession to the EU (2004–2006). A typology of arguments justifying inclusion and exclusion of Turkey from Europe or the EU is presented, and gender-specific othering is placed in the context of differing national discourses about Europe and diverging visions of secularisation and citizenship. Secondly, various topoi of orientalism are reconstructed which play a crucial role in both national corpora, and it is shown how various historically shaped discourses of alterity intersect and produce gendered images of cultural and religious otherness.


Panoptikum ◽  
2019 ◽  
pp. 137-148
Author(s):  
Sebastian Jakub Konefał

Contemporary Norwegian cinema uses the conventions of the road movie to deconstruct the narrative structures of travel stories and deploys them as a means of social critique. Such a strategy may also demystify the involvement of national discourses in the so called “tourist view”. The article analyzes the cinematic adaptation of Erlend Loe’s screenplay called “Nord” (2009). The movie was advertised in Poland as an “antidepressant comedy from the polar circle”. However, this interpretation of the plot and aesthetics of the film tries to prove the opposite thesis, presenting some arguments proving that the feature structure of Rune Denstad Langlo’s film provides the basis for perceiveing it as a  cultural text, which plays with the post-ironic perspective and selected pastiche formulas to reinterpret (and sometimes even deconstruct) the conventions of the road cinema in order to undertake the phantasmatic reflections on the problem of depression and postmodern fears in a consumer society.


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