This chapter recounts how developments in the technology of battle had by Shakespeare’s time caught up with even the relatively resistant, cavalry-oriented English nobility. Outlining these technical advances, it discovers numerous moments in Shakespeare indicative of popular responsiveness to war and its new face. Alone among English writers, it was Shakespeare who (repeatedly) termed cannon-fire ‘devilish’; and the chapter demonstrates how different characters in 1Henry IV are on the turn in the long evolution from (equestrian) medieval chivalry, through (treacherous, infantry-deployed) gunpowder weapons, to the perfumed post-militarist courtier. It notes Shakespeare’s staged presentation of conscription as farcically at odds with the official theory of a voluntarism for able-bodied adults. Two soldiers miserably questioning the ethics of war the night before Agincourt prove well apprised of the Christian just war theory—yet Williams shrewdly contests its exculpation of royal leaders from responsibility for their subjects’ deaths.
On the ethics of war and terrorism, Uwe Steinhoff
