Green on the Screen: Types of Jealousy and Communicative Responses to Jealousy in Romantic Comedies

2017 ◽  
Vol 82 (5) ◽  
pp. 298-311 ◽  
Author(s):  
Jessica R. Frampton ◽  
Darren L. Linvill
Keyword(s):  
Communicative Responses ◽  
Romantic Comedies

Communicative Responses to Problematic Events in Close Relationships II

1999 ◽  
Vol 26 (2) ◽  
pp. 193-239 ◽  
Author(s):  
JENNIFER ANNE SAMP ◽  
DENISE HAUNANI SOLOMON
Keyword(s):  
Close Relationships ◽  
Communicative Responses

scholarly journals Lifestyle and fashion in Mario Camerini’s romantic comedies Il Signor Max and I Grandi Magazzini

2018 ◽  
Vol 11 (1) ◽  
pp. 56-66
Author(s):  
Chiara Faggella
Keyword(s):  
Consumer Culture ◽  
Popular Entertainment ◽  
Totalitarian Regime ◽  
Benito Mussolini ◽  
Italian Fascism ◽  
Center Stage ◽  
Romantic Comedies ◽  
Ambivalent Attitude

Between the years 1922 and 1943, Italian Fascism revealed quite an ambivalent attitude towards lifestyle.[1] While the regime tried to impose standards of nationalistic moderation, popular entertainment of the time reveals that different aspects of culture never surrendered completely to the diktats of the regime. This article discusses the ways in which two films, Il Signor Max (Astra Film, 1937) and I Grandi Magazzini (Amato-Era Film, 1939) can provide a perspective into the consumer culture of Fascist Italy and its ambivalences. By presenting recurrent references to lifestyle commodities and fashion, the experiences of consumption in the two films take center stage in spite of the regime’s campaigns for modesty.   [1] The use of the capital ‘f’ is employed to specifically indicate the totalitarian regime led by Benito Mussolini, which occurred in Italy between the years 1922 and 1943, and to distinguish it from additional national variations (e.g. Spanish Falangism).

Learning interspecific communicative responses in Pampas foxes (Lycalopex gymnocercus)

2012 ◽  
Vol 89 (1) ◽  
pp. 44-51 ◽  
Author(s):  
Gabriela Barrera ◽  
Adriana Jakovcevic ◽  
Alba Mustaca ◽  
Mariana Bentosela
Keyword(s):  
Communicative Responses

Comedies of Remarriage and the Transfiguration of the Commonplace

2019 ◽  
pp. 58-75
Author(s):  
Dan Shaw
Keyword(s):  
Romantic Comedies

Romantic comedies have a difficult task before them, restoring our faith in a love that lasts. The sub-genre of the comedies of remarriage do this best of all rom-coms, by showing a divorced or alienated couple coming back together despite their difficulties. This furthers the myth that love conquers all, and that some couples were made for each other, with the distinct help of scintillating and hilarious conversation. This chapter analyses Cavell’s paradigm in his reading of The Philadelphia Story and demonstrates its contemporary relevance by applying it to one of the more philosophical of films of this century, Eternal Sunshine of the Spotless Mind.

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