Folklore and the Climate Crisis: Reading Beara as an Anthropocene Patch with Máiréad Ní Mhíonacháin

Though the term ‘Anthropocene’ has become dominant in discourses surrounding the climate emergency, its globalising tendencies risk discouraging grassroots action. This article argues, therefore, that in order to better understand the climate crisis, a more local approach is needed. Folklore is suggested as one such way the specific impacts of the Anthropocene can be read. To investigate, this article analyses the folklore of Máiréad Ní Mhíonacháin as a ‘Capitalocene Patch’, combining Anna Tsing’s ‘Patchy Anthropocene’ and Jason Moore’s ‘Capitalocene’ theories. In particular, this article looks at how Ní Mhíonacháin’s folklore records human and non-human produced landscapes, and asks how piseoga (superstitions) might produce healthier relations with the environment.

Animal Oppression and Solidarity: Examining Representations of Animals and Their Allies in Twenty-First Century Media

Popular media, both literature and film, provide a location in which animal suffering, resistance and solidarity are finally visible. An examination of Bong Joon-ho’s award-winning film Okja (2017) and Karen Joy Fowler’s New York Timesbest-selling novel We Are All Completely Beside Ourselves (2013) reveals complex media representations of animals that highlight the significance of twenty-first century media in depicting the animal in the human world.

Animal Representation on UK Children’s Television

It is widely accepted that television is a powerful medium and that its influence, particularly on children and young people, can be profound (see for example Canadian Paediatric Society 2003; Strasburger 2004; Matyjas 2015). The representation and categorisation of non-humans in such content may therefore influence a culture’s attitudes towards those species and, by extension, its children’s views. This article investigates animal characters on three hundred and fourteen children’s TV shows across five days of ‘free’ to view UK programming during summer 2020, and is the first study in over twenty-five years (since Elizabeth Paul’s in 1996) to focus specifically on mainstream children’s TV, and the only one to have sole regard for pre- and early primary-age UK viewers. With research clear that the media is so influential, recognising the role of such culture transmission is vital to ‘undo’ unhelpful assumptions about animals that result in their exploitation, and change future norms (Joy 2009). Television media either ignores or misrepresents the subjective reality of many (particularly food) species, but with children preferring anthropomorphised animals to most others (Geerdts, Van de Walle and LoBue 2016), this carries implications in terms of responsibility for our ideas and subsequent treatment of those non-humans in everyday life.

Construction of Natures and Protests on Instagram: A Study of Virtual Environmental Activism in India During the COVID-19 Pandemic

In 2020, the COVID-19 pandemic and lockdown in India restricted ‘real world’ protests, shifting dissent to digital spaces. In this article we explore virtual environmental activism on Instagram by looking at two case-studies that gained prominence during this period. The first was the death of a pregnant elephant in Kerala by consuming cracker-laden food meant to deter boars from crop-raiding. The second was an oil and gas leak in Baghjan, an ecologically sensitive region in Assam. Through content analysis of ‘Top’ posts, we thematically classified the representations of nature and non-humans constructed through Instagram visuals, identifying overlaps and contradictions in the two cases. Observing that the images of animals in pain generated massive response, we argue that Susan Sontag’s (2003) framework on the haunting power of images of human suffering can be expanded to include non-humans. These visuals highlight certain creatures, excluding other species and vilifying human communities belonging to the same landscapes. We show how unilinear models of economic development and progress, as well as hierarchical and casteist notions in Hinduism continue to shape environmental debates in India. The religious overtones discount the environmental discourse based on scientific knowledge, and disrupt nuances of community driven action. By tracing the online trajectories of the two protests, we also illustrate how virality limits Instagram activism by sidelining local voices and privileging short-lived consumer action over systemic change.

The Potential for a ‘Tiger King Effect’: Analysis of Public and Media Response to the Netflix Series 'Tiger King'

During the COVID-19 pandemic in 2020, Netflix aired the docuseries Tiger King: Murder, Mayhem, and Madness. This aligned with the United States declaring a national emergency and the beginning of stay-at-home orders. Netflixexperienced a significant increase in viewership and a large number of responses to Tiger King’s content from viewers and media outlets (e.g., Stoll 2021). In this article, we present an analysis of social media responses on the Netflix official Facebook page and online news articles associated with Tiger King published between 20 March 2020 and 30 March 2020. This thematic analysis reveals that public response was mainly related to expressions of sentiment, characters featured in the docuseries, and references to the show’s content (e.g., specific scenes). We also identified character references, series content descriptions, and real-life events as themes within media sources. We conclude this article by discussing the potential for a ‘Tiger King Effect’ in the U.S. and the media’s role in distributing human-animal related materials to the general public.

The Affective Database: 'Symulation' and Enacting Worldhood in the Film-worlds of Scott Barley

This article offers an alternate evolution of Lev Manovich’s (1999) concept of the database film, explored through the work of Welsh experimental filmmaker Scott Barley. Suggesting the existence of an affective type of database, this codifies their production as a form of ecological activism which phenomenologically affects viewers and creates a worldhood that each film inhabits. Viewers emerge as agential participants, which this article argues is an entanglement that occurs and continues long after the film’s initial release. Barley’s works often eschew formulations of humans, and instead invoke abstracted images of the world and wild animals, engendering an altered process of thought that attempts to avoid, reject and/or refute anthropocentrism. As Barley’s work continues to catalyse considerations of darkness, time, space and Jean Baudrillard’s simulation (1994), I argue that such films allow moments of stasis and stillness that are akin to death, bringing forth further considerations in viewer-participants about the world(s) they inhabit.

How ‘public’ is communicated in China’s public diplomacy: communicating environmental justice in the case of air pollution in China

This study re-evaluates the media communications of the domestic public’s interests related to environmental justice in the case of China’s air pollution in China’s public diplomacy initiatives. It examines media representations of environmental justice by China’s state-sponsored China Daily, and compares them with the Hong Kong-based South China Morning Post, and British and American mainstream newspapers. The examination starts from 2015, when Beijing issued the first ever red alert for air pollution, to 2018, when air pollution still haunted the country. This study finds that, besides the general policy schemes of smog mitigation, China Daily extended coverage to the general causes of smog and the domestic public’s detailed demands for smog mitigation. It mainly adopted a neutral tone in covering environmental justice. The obvious discrepancy in coverage patterns between China Daily and other news media appears in the tone of covering ‘adequacy’ in environmental justice, with the former being neutral and the latter adopting more critical voices. This study offers a better understanding of China’s evolving governmental stances in dealing with environmental justice issues in the case of air pollution.

The Online Genetically Modified Food Debate: Sociotechnical Imaginaries and Genetically Modified Animals

The aim of this article is to investigate the sociotechnical imaginaries present in UK online news articles and below the line comments in connection with genetically modified animals. This article attempts to provide an answer through a qualitative study using discourse analysis. The findings reveal how sociotechnical imaginaries present in news articles depict genetically modified animals as ‘other’ in comparison to those bred through selective breeding. In the below the line comments, a key feature is of monstrosity. Here, the sociotechnical imaginaries draw on the concept of ‘other’ along with the imagery of Frankenstein. Nature also features in the sociotechnical imaginaries in the news articles. Journalists present genetic modification as overcoming nature, as well as scientists designing nature. The article concludes by discussing how sociotechnical imaginaries can bring invisible nonhuman animals to the fore. Here, difference makes genetically modified animals newsworthy.