Imagining the Audience: language, creativity and communication in youth media production

2001 ◽  
Vol 26 (3) ◽  
pp. 173-184
Author(s):  
David Buckingham, Issy Harvey
Keyword(s):  
Author(s):  
Ty Hollett

Reporting on an ethnographic study of youth media production at an action sports camp, this article describes the symbiotic learning partnerships formed between teen skateboarders and teen videographers necessary to collaboratively demonstrate the mastery of both tricks and video capture/editing. Symbiotic learning partnerships emerge when partners are, as one participant says, vibing with one another: when they are deeply invested in the production of a collaborative media artifact that they will jointly distribute across social media. When vibing with one another, skaters and videographers fall into collaborative, rhythmic cycles. This collaborative mastery is illustrated specifically through a focus on the cycles of reflection and nurture that skaters and videographers enter into when honing their respective crafts. This article advances understanding of youth digital media production in the rich, yet understudied, action sports community, drawing out potential implications for the design of digital media learning settings, broadly, that do not urge youth down individual pathways, but instead implement opportunities for symbiotic participation and learning.


2016 ◽  
Vol 10 (1) ◽  
pp. 95-103 ◽  
Author(s):  
Patti Fraser

Over the course of the last two decades, youth media programs have become increasingly popular as models for community-engaged digital storytelling projects. This narrative re ection is based on the author’s experience as the creative mentor and story editor within a nationally recognized youth-run media production program. Drawing on Arendt’s (1954) thinking on the educative project and on Poyntz’s (2009) argument that holds "agonistic struggle" over creative expression within a community of youth engagement is critical to developing a shared sense of the world. This narrative re ects on the collective work of story creation within a community-engaged media art practice as a vehicle for developing capacity to hold pluralistic points of view, perspective, and voice essential for the sustainment of democratic movements.


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