General music teachers' attitudes and practices regarding multicultural music education in Malaysia

2015 ◽  
Vol 18 (2) ◽  
pp. 208-223 ◽  
Author(s):  
Kwan Yie Wong ◽  
Kok Chang Pan ◽  
Shahanum Mohd Shah
Author(s):  
Heidi Westerlund ◽  
Sidsel Karlsen

This chapter argues that multicultural music education that focuses on preserving cultural roots and cultivating historically justified, authentic musical practices in the classroom is inadequate as the single guiding approach to teaching music. Since musical diversity is already self-evident for today’s students, teachers should consider opening spaces for students’ own, ongoing negotiations of musics in order to create new musical negotiations and multiple belongings as well as social bonding. Moving toward what is often viewed as intercultural education, the chapter extends some of the starting points found in multicultural music education literature by rereading them against research findings regarding immigrant students’ musical agency and Zygmunt Bauman’s sociological analysis of cultural diversity in contemporary society. It argues that developing learning communities in which epistemological horizons and musical repertoire are brought both from outside the classroom and from within its existences would simultaneously entail ethical choices and working toward solidarity and democracy.


2019 ◽  
Vol 37 (4) ◽  
pp. 547-560 ◽  
Author(s):  
Nantida Chandransu

This article reflects on various challenges encountered during a pilot action-based research “Integrating Multicultural Music Education into the Elementary School Curricula of Public Schools in Thailand.” This project was set up to develop lesson plans, activities, teaching tools and evaluation methods for music teachers. As a pilot-curriculum model, it pays particular attention to cross-cultural understanding for helping Thai children gain a sense of cultural conceptualization and the skills necessary for growing up in a racially, religiously, and culturally diverse society. This research attempts to explore possibilities for various music cultures introduced to the formal education system in Thailand, which had previously restricted music education to nationalist-based Thai music and certain samples of Western classical music. Once children discover multiple music cultures, their perspectives are broadened. The outcomes of this research will also be beneficial for future instruction designs. The attempt to update music education in the Basic Education level to accommodate changing social and cultural contexts affected by globalization and urbanization will raise awareness of cultural diversity and the direction of music education curriculum development. Music education through the Thai formal education system is one method of preparing children to grow up in a culturally diverse world.


1992 ◽  
Vol 78 (9) ◽  
pp. 25-25 ◽  
Author(s):  
William M. Anderson

Sign in / Sign up

Export Citation Format

Share Document