The Role of Social Media Emotional Experiences in Identity Construction: Exploring Links between Micro-identity Processes

Identity ◽  
2021 ◽  
pp. 1-17
Author(s):  
Yannick Vincent ◽  
Lyda Lannegrand
2019 ◽  
Author(s):  
Elizabeth Witcher

Previous research on new media has shown that social media may help to bring people of marginalized groups together for greater support across geographical lines. The current study expanded on previous research by analyzing emotional experiences and compiling themes in relation to the use of Instagram by people with Vitiligo. Vitiligo is a highly visual, often stigmatizing, common skin condition that causes loss of pigmentation (color) which affects up to 2% of the population globally regardless of race or gender. Instagram was picked for this study due to its visual nature. This application allows the use of hashtags as a search tool for possible connections with others. The researcher interviewed people with Vitiligo who use Instagram about their experiences to better answer the queries related to the role of social media in the livesof people with Vitiligo. It was found that this community works on weak ties. Participants took solace in the presence of others, rather than making strong connections.


Author(s):  
Caitlin Cosper

Abstract Interactions on social media platforms are becoming increasingly relevant from an identity construction perspective. Conflict speech, in particular, is a form of interaction that is especially common in online spaces and constructs identity through polarization, strengthening the in-group while deemphasizing the out-group. The young adult feminist identity has established a strong presence in online spaces, specifically the microblogging platform Tumblr. This study seeks to analyze the role of conflict speech in young adult feminist identity construction through focusing on recontextualization of comments and name-calling strategies. Within this analysis, it is possible to determine the importance of conflict speech as it strengthens the collective feminist identity while allowing those in the in-group to exclude and dismiss conflictual comments stemming from those in the out-group.


2018 ◽  
Vol 4 (1) ◽  
pp. 205630511876574 ◽  
Author(s):  
Emad Khazraee ◽  
Alison N. Novak

Many scholars discuss the role of social media in the context of social movements, but there remain major disagreements regarding the precise role that social media plays. One area that deserves more in-depth study is the affordances of social media for constructing collective identity. This article examines the case of an Iranian women’s rights campaign page on Facebook, “My Stealthy Freedom,” using an analysis of textual and visual content. The article examines how online campaign pages on Facebook contribute to the formation of collective identity and the construction of a campaign narrative. Following the analysis, the authors discuss how photobiographic campaigns—social media users sharing personal photos and adjoining personal narratives in support of a cause—illustrate two affordances of social media for construction of collective identity: affordances for discourse and affordances for performance. Affordances for discourse contribute to the collective action framing process through sharing of grievances and collectively negotiating meaning. These affordances also contribute to a collectively and incrementally constructed narrative by sharing personal stories that resonate with the group. Affordances for performance focus on the enactment of protest through transgressive photobiographies deliberately staged to convey the movement message to broader audiences. Here, transgressive photobiographies are defined as modular performances that can be adopted for the repertoires of contentious politics through protesting of laws and norms, such as the mandatory hijab. These transgressive performances create group solidarity through engagement in risk, thereby contributing to the formation of group identities.


2003 ◽  
Author(s):  
Rong-kou Liu ◽  
Ruey-ling Chu ◽  
Batja Mesquita ◽  
Mayumi Karasawa

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