The Trauma Trilogy of Catastrophic Grief, Survivor Guilt and Anger in Aging Child Holocaust Survivors

2021 ◽  
pp. 1-22
Author(s):  
Tracey Farber ◽  
Cora Smith ◽  
Gillian Eagle
2019 ◽  
Vol 57 (2) ◽  
pp. 114-126 ◽  
Author(s):  
Sue Vice

Abstract This article examines the contemporary phenomenon of fiction and film about Holocaust survivors suffering from dementia. Earlier examples of this kind use dementia to explore the interior states of survivor guilt and the suppression of painful memories. By contrast, twenty-first-century representations convey the passing on of Holocaust memory to the next generation. These individuals, in the role of offspring or carers, act as the investigators and inheritors of a history that either has vanished from the survivor’s memory or appears in the present as if it were still taking place. Such works are expressive of cultural anxiety at the vanishing of the generation of eyewitnesses to the events of the Holocaust yet also act to defuse the unwelcome lessons such witnesses might impart.


ASHA Leader ◽  
2016 ◽  
Vol 21 (3) ◽  
pp. 34-35
Author(s):  
Carol Polovoy

Psychotherapy ◽  
1993 ◽  
Vol 30 (3) ◽  
pp. 443-451 ◽  
Author(s):  
Dorit B. Whiteman
Keyword(s):  

2008 ◽  
Author(s):  
Joyce Hopkins ◽  
Nicholas K. Lim ◽  
Carmen Roca
Keyword(s):  

2009 ◽  
Author(s):  
Avi Sagi-Schwartz ◽  
Rachel Yehuda ◽  
Marian Bakermans-Kranenburg ◽  
Efrat Barel ◽  
Marinus Van Ijzendoorn
Keyword(s):  

2012 ◽  
Vol 5 (2) ◽  
pp. 184-194
Author(s):  
Kate Norbury

This article explores the representation of guilt in six recent young adult novels, in which it is suggested that teen protagonists still experience guilt in relation to their emerging non-normative sexual identities. The experience of guilt may take several different forms, but all dealt with here are characterised by guilt without agency – that is, the protagonist has not deliberately said or done anything to cause harm to another. In a first pair of novels, guilt is depicted as a consequence of internalised homophobia, with which protagonists must at least partly identify. In a second group, protagonists seem to experience a form of separation guilt from an early age because they fail to conform to the norms of the family. Certain events external to the teen protagonist, and for which they cannot be held responsible, then trigger serious depressive episodes, which jeopardise the protagonist's positive identity development. Finally, characters are depicted as experiencing a form of survivor guilt. A gay protagonist survives the events of 9/11 but endures a breakdown, and, in a second novel, a lesbian protagonist narrates her coming to terms with the death of her best friend.


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